We are inviting proposals for talks about “FOSS Office Software and Suites“.
Office productivity software is one of the oldest and most interesting FOSS categories packed with developer interest. It is also an area where lots of new solutions are arriving with new desktop, web-based and mobile editors, as well as new underlying libraries and filters appearing. These bring lots of opportunities for meeting up and cross-fertilization of ideas, and innovation as well as code sharing between separa
We are inviting proposals for talks about “FOSS Office Software and Suites“.
Office productivity software is one of the oldest and most interesting FOSS categories packed with developer interest. It is also an area where lots of new solutions are arriving with new desktop, web-based and mobile editors, as well as new underlying libraries and filters appearing. These bring lots of opportunities for meeting up and cross-fertilization of ideas, and innovation as well as code sharing between separate FOSS communities and companies that can rarely come together.
The FOSS Office devroom brings these projects together in one place. It is open to developers, contributors, integrators, and users of any FOSS office suite or component. Competing projects and document toolkits are explicitly welcome, as the aim is to provide an overview of the entire sector and identify common problems which cannot be solved alone.
We invite talks on topics such as:
– Architecture, performance, algorithms, data-structures;
– Network protocols for real-time collaboration;
– Import and export filters, interoperability, and document rendering fidelity;
– Accessibility, localisation, typography and support for complex scripts;
– Technical challenges of enterprise Office deployments
– AI-assisted features and how to integrate them while preserving user control and privacy;
– Security, code quality, hardening and sandboxing challenges;
Talks should be technical, and mention bits, bytes, data-structures and algorithms. Product pitches and business presentations will not be accepted in this room. The devroom is co-organised by people from a handful of different FOSS Office projects to ensure a balanced selection of talks. Talks will be 15/20 minutes maximum, to fit as many as possible in the limited time slots.
TALK SUBMISSIONS
To submit a talk, please visit the FOSDEM 2027 Pretalx website: fosdem.org/submit. Please select “FOSS Office” as the *track* and ensure you include all the requested information when submitting a proposal: the title of the talk, a short abstract (one / two paragraphs), and some information about yourself (name, bio and photo). Please do remember that your profile might be already stored in Pretalx.
If you already have a Pretalx account from previous years, please reuse it. Create an account if, and only if, you don’t have one from a previous year. If you have issues with Pretalx, please contact italo at documentfoundation.org for help.
All presentations will be recorded and streamed. Sending your proposal implies giving permission to be recorded.
For accepted talks, speakers will receive an email to confirm that the proposal has been accepted. They may expect additional emails with more instructions, for instance to confirm their travel schedule.
CONTACTS
Italo Vignoli: italo at documentfoundation dot org
Jos Portvliet: jos dot poortvliet at nextcloud dot com
Michael Meeks: michael dot meeks at collabora dot com
IMPORTANT DATES TO REMEMBER
Submission Deadline: 30 November 2026 (23:59 UTC)
Acceptance Notifications: 4 December 2026
Final Schedule Announcement: 7 December 2026
Devroom: 30 January 2027 (from 10:30, just half day)
Suraj Bhattarai, our Nepalese LibreOffice Liaison, reports back from the LibreOffice community at Major League Hacking (MLH) powered student hackathon.
Click here to read his report
Suraj Bhattarai, our Nepalese LibreOffice Liaison, reports back from the LibreOffice community at Major League Hacking (MLH) powered student hackathon.
All the posts we have dedicated to the OOXML format – and many of those we will dedicate to it in future – analyse the reasons why it is a proprietary format despite having been approved by ISO as a standard, open format. However, they do not address the reasons behind or the details of the standardisation process.
This is a gap we hope to fill with this post, which summarises the events that took place between the standardisation of the ODF format – a standard and open format – and the standard
All the posts we have dedicated to the OOXML format – and many of those we will dedicate to it in future – analyse the reasons why it is a proprietary format despite having been approved by ISO as a standard, open format. However, they do not address the reasons behind or the details of the standardisation process.
This is a gap we hope to fill with this post, which summarises the events that took place between the standardisation of the ODF format – a standard and open format – and the standardisation process for OOXML, as well as the process itself, which was completely broken in every respect, from methodology to procedure.
Microsoft had begun work on an XML-based document format around the year 2000, with the aim of modernising the obsolete DOC, XLS and PPT formats, which were simply the serialisation (writing) of memory content to disc, and as such were no longer in line with the evolution of Microsoft Office.
The aim was certainly not to develop a standard format, not least because the echo of Bill Gates’ internal memo – “allowing Office documents to be rendered very well by other people’s browsers is one of the most destructive things we could do to the company; we have to make sure that Office documents depend on proprietary capabilities” (slightly abridged version of the original memo) – had not yet died down.
Consequently, during the ODF standardisation process, Microsoft had stated that it would not support the ODF standard format, as it was not in its own interests.
In early 2006, however, the Commonwealth of Massachusetts – one of the historic states of the confederation – announced that it would adopt ODF for all public documents, so that they would be independent of software from a single vendor.
This decision provoked a reaction from Microsoft, which could not tolerate the fact that a US state was adopting a standard, open format developed outside its control, which benefited users rather than its own commercial interests.
The story of the ISO/IEC 29500 “standard”
The battle over the ISO/IEC 29500 “standard” – the ISO standardisation of Microsoft’s Office Open XML format between 2006 and 2008 – is a perfect example of a broken standardisation process.
It is not an exceptional case, but it has been thoroughly documented and offers important food for thought for all those who continue to maintain that the OOXML format is a standard.
The story began in December 2006, when Ecma International – whose Technical Committee 45, responsible for the project, at the time was chaired by two Microsoft employees – submitted the OOXML specification to the ISO/IEC JTC1 (Joint Technical Committee) of ISO/IEC for adoption as an international standard under the “fast-track” procedure, designed for tried-and-tested specifications requiring only administrative ratification.
The decision to submit a 6,000-page specification – one of the longest ever submitted to ISO – via a process designed for short and fairly well-established documents had a decisive impact on the nature of the review to which the standard was subjected.
In September 2007, the proposal was rejected by ISO members due to votes against it or substantial technical objections to its approval. Brazil raised more than sixty technical objections regarding the use of non-standard date formats and inadequate language support. India contested the incompatibility with the ISO ODF standard. France proposed splitting the specification into a “clean” core and a compatibility layer for pre-existing systems. Norway submitted twelve specific technical observations.
These concerns were not mere complaints but went to the heart of the matter: namely, whether the OOXML format specifications could meet the fundamental requirements of an international standard.
Issues at national standardisation committees
What followed this vote was the subject of appeals by numerous national standardisation bodies. In many countries, there were widely documented reports of serious irregularities in the composition and conduct of the national technical committees.
In Portugal, new members appeared, the majority of whom were identified as Microsoft business partners. In Italy, the number of members rose from 5 to over 80 in just a few months, and among them were one law firm and a PR agency working for Microsoft on topics that had no connection whatsoever with the document formats, and several Microsoft business partners.
In Norway, the committee chair resigned in protest.
Martin Bryan, coordinator of the ISO working group, stated publicly that the influx of these new members, whose sole interest was to speed up the OOXML approval process, had caused several important procedural votes to fail.
Microsoft sent an official letter to the Spanish national body claiming that the Andalusian regional government supported OOXML, a claim which was promptly denied by the Andalusian government itself, which also lodged a complaint.
As interested observers of the process, and as members of various national standardisation bodies, we can add that all this stemmed from the head-to-head competition between Microsoft and IBM, which at the time were focused solely on competing with one another on the basis of their financial strength and completely ignored the interests of users – a situation that is now penalising us at every level.
Had the two companies invested the same energy in developing a cross-platform standard format, building on what had already been approved – namely ODF – and improving those parts where it was not yet fully developed, instead of filling the committees with “relatives and friends”, we would be in a completely different situation today, and we would not have to fight for our digital sovereignty.
The Ballot Resolution Meeting in Geneva
In February 2008, the Ballot Resolution Meeting (BRM) was convened in Geneva, during which representatives of national bodies were expected to examine the thousands of proposed amendments to the 6,000-page document in just one week. An unachievable goal.
Many national bodies reported that they had been unable to examine the actual text on which they were supposed to vote, as the final version of the specification had not been submitted. The BRM coordinator, Dr Alex Brown, subsequently stated publicly that failing to make the final text available to national bodies during the appeal period had been irresponsible.
The standard was approved in April 2008, narrowly meeting the required threshold. Appeals lodged by South Africa, Brazil, Venezuela, India and other countries against procedural irregularities were rejected by the ISO Technical Committee. A post-approval analysis revealed that, during the BRM, Microsoft employees and “partners” outnumbered representatives from every other organisation by a ratio of approximately ten to one.
The OOXML format today
Microsoft launched Office 2010, implementing not the approved “Strict” variant of ISO 29500, but the earlier “Transitional” variant rejected by ISO in the September 2007 vote, which had been deemed unsuitable for use in new documents. Alex Brown, the BRM coordinator who had overseen the approval, publicly accused Microsoft of acting in bad faith.
The “Transitional” variant of the OOXML format is the one used by all users of Microsoft Office and Microsoft 365, as well as by clones of the two suites such as OnlyOffice, WPS Office and Euro-Office. The “Strict” variant has disappeared from discussions and is the last – and most obscure – option in the format menu.
The responsibilities of standardisation bodies
The case of the ISO 29500 standard demonstrates that standardisation processes, however well designed, can be manipulated by companies with sufficient resources and motivation.
The fast-track procedure was abused. The composition of the national committee was manipulated. The procedural rules were interpreted in such a way as to favour the proposer. The sheer volume of the specification made a genuine technical review by independent experts practically impossible within the available timeframe.
Following approval, a variant of the standard different from the one approved was implemented, without any consequences. Indeed, we can legitimately argue that the advantages the company derived from this failure to comply with the standard were actually rewarded by the market, and were not sanctioned by any authority at any level.
The conditions that allowed ISO 29500 to develop as it did – the concentration of resources, the decisive influence of commercial strategies and objectives, and the asymmetry in investment between large and small companies – were not addressed by the reform of the JTC1 “fast-track” procedure following the OOXML scandal.
Standards bodies are, nominally, neutral arbiters – forums where conflicting interests negotiate shared solutions – but in practice their neutrality is always contested and never guaranteed.
The companies that invest most heavily in the standardisation process – sending more representatives to meetings, funding the secretariats, and having the resources to comment exhaustively on every draft – are also those that exert the greatest influence over the processes.
This does not mean that standardisation bodies are subject to pressure or corrupt, as most operate with a sincere commitment to their mission.
It does, however, mean that the conditions underpinning good standards are not automatic, but require the active participation of various stakeholders – governments, civil society organisations and the academic community – whose interests are not aligned with those of commercial companies, as well as a set of rules that prevent any single company from dominating the process.
Above all, they require a culture within the standards community that takes the principles of reusability, transparency and genuine interoperability seriously as values, and not merely as rhetorical, superficial commitments, which conceal specific commercial strategies.
🚀 Features
Added justified article text setting (#1263) by @cherishmashankar in #1263
🐛 Bug Fixes & Minor Changes
Restricted mark-as-read-on-scroll to items leaving at the top (#1278) by @uplansible in #1278
Fixed some spacing and centering issues in Settings screen (#1285) by @spacecowboy in #1285
🌐 Translations
Updated Romanian translation using Weblate in commit
Updated Hungarian translation using Weblate by @summoner001 in commit
Updated Esperanto translation using Weblate by @Wicci
A recap of the LibreOffice Conference 2026, which took place in September in Pordenone, northern Italy. Thanks to the local team for organising the event!
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A recap of the LibreOffice Conference 2026, which took place in September in Pordenone, northern Italy. Thanks to the local team for organising the event!
Please confirm that you want to play a YouTube video. By accepting, you will be accessing content from YouTube, a service provided by an external third party.
Milestone
This is a fourth security release in the continuation of 1.30.x, mostly to address some severe PHP vulnerabilities and update our official alternative Docker images (Alpine) (our default Docker images based on Debian were already fixed).
Note that our rolling-release channel (edge) is recommended for faster security patches.
Bug fixes highlights 🐛:
PHP CVE-2026-109618, CVE-2026-109619 php#2026-10-21-5
This release has been made by @Alkarex, @Frenzie and newcomer @icco
Full changelo
This is a fourth security release in the continuation of 1.30.x, mostly to address some severe PHP vulnerabilities and update our official alternative Docker images (Alpine) (our default Docker images based on Debian were already fixed).
Note that our rolling-release channel (edge) is recommended for faster security patches.
The announcement of LibreOffice 26.8 had a noticeable positive effect on download figures, which have since exceeded one million per week, totalling 9.4 million downloads over eight weeks, from 24 August to 18 October.
To these must be added updates for the Windows version, which are counted separately and are not included in the download figures, and downloads of older versions, which continue to be fairly high.
The three maps, generated automatically by Matomo, show, in order, visits to the do
The announcement of LibreOffice 26.8 had a noticeable positive effect on download figures, which have since exceeded one million per week, totalling 9.4 million downloads over eight weeks, from 24 August to 18 October.
To these must be added updates for the Windows version, which are counted separately and are not included in the download figures, and downloads of older versions, which continue to be fairly high.
The three maps, generated automatically by Matomo, show, in order, visits to the downloads site (11,426,169), visits to the updates site (90,042,601), and visits to the site for older versions (39,669,854).
Anyone curious to know the origin of the visits (which is obviously higher than the number of downloads) can download a ZIP file containing the three CSV files. These figures are reliable but not precise to the nearest unit, as a visit does not necessarily result in a download, particularly in the case of updates and older versions.
Prior to the announcement of LibreOffice 26.8, the number of downloads was less than one million per week, although it was fairly close to that figure. In 2026, the number of downloads has grown dramatically compared to 2025, to the extent that the total for the year has already been exceeded, with 10 weeks still to go.
What are the reasons for this growth? It is difficult to explain based on the data, given that downloads are free and completely anonymous.
We like to think that the consistency of the LibreOffice project – which has been championing the concept of digital sovereignty and standard document formats for years – and the robustness of the software, which has never sought to be a clone of the most widely used office suite on the market but has always strived to forge its own path, are two very important factors that, in the long term, represent a significant advantage over all other products.
There is still a long way to go, however. Users are slowly but surely embracing free and open-source software, as they are coming to understand the benefits it brings to them and to their freedom. We are ready to welcome them.
Milestone
This is a third security release in the continuation of 1.30.x, mostly to address some severe PHP vulnerabilities and update our official default Docker images (Debian) (but not our alternative Alpine images yet, which are delayed).
Note that our rolling-release channel (edge) is recommended for faster security patches.
Bug fixes highlights 🐛:
PHP CVE-2026-109618, CVE-2026-109619 php#2026-10-21-5
This release has been made by @Alkarex, @Inverle and newcomer @Ricardo-Simoes
Full cha
This is a third security release in the continuation of 1.30.x, mostly to address some severe PHP vulnerabilities and update our official default Docker images (Debian) (but not our alternative Alpine images yet, which are delayed).
Note that our rolling-release channel (edge) is recommended for faster security patches.
Milestone
This is a second security and bug-fixing release in the continuation of 1.30.x.
Note that our rolling-release channel (edge) is recommended for faster security patches.
Bug fixes highlights 🐛:
Fix PHP 8.5+ deprecation warning with SQLite
Block data: URI scheme in some cases
Performance highlights 🏎️:
Reduce memory consumption of export
This release has been made by @Alkarex, @Inverle and newcomers @abp002, @Arslan-TR, @Emredinho61, @HawkForge, @lordmarrik, @spa77k, @tomac4t, @tpq
Standards are technical documents drafted by engineers and discussed in committees before being implemented in code. However, to discuss them only in technical terms would be to overlook an essential aspect of their nature and function.
In fact, standards are also – and above all – political tools because they define market players, determine the direction of development, and establish the interests served by the ecosystem. In other words, they underpin the market’s power relations.
What a stand
Standards are technical documents drafted by engineers and discussed in committees before being implemented in code. However, to discuss them only in technical terms would be to overlook an essential aspect of their nature and function.
In fact, standards are also – and above all – political tools because they define market players, determine the direction of development, and establish the interests served by the ecosystem. In other words, they underpin the market’s power relations.
What a standard does
A standard is a coordination mechanism that allows multiple independent parties, such as software developers, hardware manufacturers, content creators, governments and businesses, to collaborate without having to negotiate the terms of their interaction every time.
Like a language, a standard enables communication with everyone who speaks it. It is an immensely valuable promise of universal communication, which is why standards are so important in computing, where the network effects of compatibility multiply rapidly.
However, a standard also defines the conditions for participation.
A simple, transparent standard based on widely available knowledge can be implemented by multiple parties without creating inequality.
In contrast, a complex, deliberately obscure standard that requires specific expertise can only be implemented correctly by those who defined it, creating inequality.
Therefore, the complexity of a standard acts as a barrier, determining who can access the market and the balance of power within it.
Open ecosystems
An open ecosystem does not depend on a document containing the specifications of the standard, but rather on any stakeholder’s ability to implement the standard fully and correctly in accordance with the specifications, without resorting to undocumented behaviour or reverse engineering.
This requires the specifications to be written clearly, to allow for only one interpretation, and for the standard not to depend on behaviours defined by the reference implementation, which would make the latter a mandatory dependency. It also requires the standard to be stable enough to prevent compliant implementations from becoming obsolete due to silent revisions.
When all these conditions are met, the standard can be implemented by anyone, even those who played no part in its creation. Universities, small businesses, open-source communities, government agencies, and individual developers can all produce compliant software.
Competition is possible based on the quality of the implementation rather than proximity to the standard’s authors or reverse engineering. The standard provides a foundation upon which anyone can build.
Closed ecosystems
While the closure of an ecosystem through a standard may be accidental, it is usually intentional and based on a series of fairly easy-to-list mechanisms.
The first mechanism is unnecessary complexity. When a standard defines its own solutions to problems that already have valid, widely implemented solutions, it forces other players to reinvent the wheel. Every proprietary subsystem is a new element that increases costs and often artificially limits compatibility.
The second mechanism is underdetermination. When specifications are ambiguous or limited, different implementations produce different results. When a document is displayed slightly differently, users always blame the second application rather than the format. This is an extremely insidious form of lock-in.
The third mechanism is extensibility. If the specifications permit the addition of proprietary extensions, the document is technically compliant with the standard, but only one programme can display it correctly. In this case, the standard merely covers a proprietary system.
In addition to these three mechanisms, there is direct or indirect influence over standardisation bodies. Direct influence occurs when the vendor can influence the standardisation process itself, shaping the compliance requirements to match the behaviour of their own application. Indirect influence occurs when the vendor can influence other members through factors external to the standardisation process.
The stakes beyond software
The consequences of open and closed standards affect more than just software developers.
For example, a government that archives its documents in a format that can only be handled correctly by a specific piece of software is, in effect, dependent on the vendor that developed it. This means that the long-term preservation of public documents is subject to the commercial decisions of a private company.
Cultural institutions, such as libraries, archives and museums, face the same problem over longer timescales. An open, standardised format is more likely to remain readable over time than a proprietary format whose continued support depends on the strategic priorities of a single supplier.
For developing economies and public-interest organisations with limited resources, open standards provide a vital infrastructure that ensures equal access.
Reading the technical as political
When evaluating a standard, technical details become political.
Using #RRGGBB for colours rather than a proprietary system is not an aesthetic choice; it affects who can implement the format and who benefits from the ecosystem it creates.
Adopting the ISO 8601 standard for dates rather than a serial system inherited from a single piece of proprietary software based on a fifty-year-old bug is choosing interoperability over continuity with a proprietary past.
These choices add up.
A standard that consistently aligns with open and established practices rather than proprietary reinvention on the basis of multiple decisions of this kind is fundamentally different from a proprietary format that constantly does the opposite, even though both produce documents that appear identical on screen and both bear the label ‘open standard’. This label means very little.
What matters is whether independent implementers can develop fully compliant software and whether the ecosystem is genuinely accessible to all who wish to participate. Ultimately, the standard must serve the interests of users rather than the company that defined it.
These are political issues which deserve to be discussed as such.
Yesterday, MS Publisher users joined the millions of users who have been abandoned – or forced into a completely unjustified update – by Microsoft over the years, alongside those using Office LTSC 2021 and Office 2021. Consequently, anyone who has purchased a Microsoft 365 subscription will no longer be able to open their PUB files.
For millions of schools, parishes, associations, small businesses and local authorities, this is a major problem. For over thirty years, they have been producing new
Yesterday, MS Publisher users joined the millions of users who have been abandoned – or forced into a completely unjustified update – by Microsoft over the years, alongside those using Office LTSC 2021 and Office 2021. Consequently, anyone who has purchased a Microsoft 365 subscription will no longer be able to open their PUB files.
For millions of schools, parishes, associations, small businesses and local authorities, this is a major problem. For over thirty years, they have been producing newsletters, leaflets, programmes, posters and calendars using Publisher. From today, these documents are in a proprietary format, the only fully compatible application for which has been abandoned by the very company that created it.
What Microsoft suggests
Microsoft suggests converting PUB files to PDF format for viewing and printing, and to DOCX format for editing. In reality, neither of these represents a solution to the problem.
PDF preserves the layout but is not designed to be edited. DOCX can be edited, but Word is not a page-layout tool, so complex files lose their formatting during conversion.
In both cases, users are asked to transfer content from one vendor-controlled proprietary format to another vendor-controlled proprietary format – which is, in fact, the same vendor. This is because documents are regarded as a by-product of the application, rather than as information belonging to those who created them.
For Microsoft, therefore, it is perfectly normal for access to content to disappear along with the application. This is a fact that should raise more than a few questions, but it seems to go unnoticed, to the extent that many Microsoft users claim this problem does not affect them.
The free software community has solved the problem
Publisher’s PUB format is not an open standard, so the developers working on the Document Liberation Project have reverse-engineered it and created the libmspub library, which is used by LibreOffice and Scribus to import Publisher files. This is to enable MS Publisher users to continue reading their own documents regardless of Microsoft’s decisions.
This means it is possible to open PUB files using free software and save them in the OpenDocument Format (ODF), the only standard, open format for office documents, which is not dependent on any single application or company. Alternatively, they can be opened with Scribus, which is open-source desktop publishing software, but does not use a standard document format.
LibreOffice Draw is the quickest way to open, view, edit and manage Publisher documents, and although it is not a desktop publishing application, it can be used for small multi-page documents, such as newsletters, or for single-page documents of any format.
A lesson to bear in mind
MS Publisher is not the first Microsoft application to disappear from the market, and it certainly won’t be the last. Each time, users are faced with the same question: who controls access to my documents? If the format is proprietary, the answer is: the vendor. If the format is standard and open, such as ODF, the answer is: the user.
If you are responsible for documents in a public sector organisation, a school or an association, now is the time to check whether your file format is proprietary and dependent on a single vendor’s application, so that you can plan the transition to an open standard format whilst it is still possible to open them.
Many thanks to all of you for your donations and your amazing support.
Please note that the features presented in this blog post are a preview. They’re still being worked on and are planned for the next version of Linux Mint.
Release Strategy and Development Cycle
This is the first time we’ve taken a full year to develop Linux Mint. Going from a 6-month release schedule to a yearly one was a tough decision to make, but we’re really starting to see it pay off. We’re taking on projects and impleme
Many thanks to all of you for your donations and your amazing support.
Please note that the features presented in this blog post are a preview. They’re still being worked on and are planned for the next version of Linux Mint.
Release Strategy and Development Cycle
This is the first time we’ve taken a full year to develop Linux Mint. Going from a 6-month release schedule to a yearly one was a tough decision to make, but we’re really starting to see it pay off. We’re taking on projects and implementing changes which would previously have been considered too large or ambitious. We’ve got time. We don’t feel rushed. Development feels solid and the OS keeps getting better.
I’ve been working on Linux Mint for more than 20 years now. I don’t think I’ve ever seen so many changes and new features implemented for a single release. It’s really exciting and it scares me a little bit because that also means we’re going to be very busy during the beta phase
Aside from new features, we’ve been fixing a huge number of bugs. We’ve also been working on Wayland compatibility, improving our processes and internal tools, and prototyping new editions.
Linux Mint 27 “Adrien”
Our next release is scheduled for Christmas, and it will be called Linux Mint 27 “Adrien”.
I’ve really enjoyed using girls’ names since 2006. They gave each release an identity and made it feel much warmer than just a number. From “Ada” at the very start to “Zena” last year, we’ve now reached the end of the alphabet. It’s funny how this happened just as we’re moving to a new release schedule. I want to continue this tradition with the new series. This time we’re using boys’ names
As you can see, the release number represents the upcoming year. We’ll no longer use point releases, so the release after that will be 28. You’ll upgrade from 27 to 28 to 29, and so on.
Linux Mint 27 “Adrien” will be based on Ubuntu 26.04. It will be available in at least three editions: Cinnamon, Xfce and MATE.
Alarms
Alongside the new calendar, we’ve developed an application to manage alarms.
The application takes inspiration from Android, both in its interface and how it works.
It’s intuitive and really easy to use.
You can set recurring alarms, choose custom sounds, and receive notifications even when the application isn’t running.
This application is called “Clocks”. It is part of the Clockenstein project.
Alarm notifications are handled by the Clockenstein daemon and notification agent.
Other News
There’s a lot going on behind the scenes.
We’ve been working hard on three other projects, and we’re putting the finishing touches on them.
Next month we’ll talk about Superlight, Unfold, and Velocitty.
Sponsorships:
Linux Mint is proudly sponsored by:
Gold Sponsors: Silver Sponsors:
Bronze Sponsors:
Donations in August:
A total of $13,824 were raised thanks to the generous contributions of 443 donors:
$580 (2nd donation), Christian S. $250, Douglas R. $232, Thorsten G. aka “JETI GMBH“ $200, Ranodhi S. $174 (8th donation), Flavio Silva Pita Correia $140, CHRIS P. $140, flutttr $116 (9th donation), Marco van den Berg $116 (9th donation), Michael J. $116 (4th donation), Jean-yves B. $116 (3rd donation), Klaas M. $116, B.A.J. S. $116, Cristiano M. $116, lars S. $116, Radulescu V. G. $116, Slavomír K. $116, Thomas P. $116, Ulrich R. $104 (10th donation), Jorge R. R. $100 (23rd donation), James F. $100 (7th donation), Harrison W. $100 (4th donation), David D. $100, Chris H. $100, DOUGLAS B. C. $100, Joseph M. $100, Logan E. $100, Marcia A. $100, Robert D. $100, wayne G. $93, Sebastian H. $70 (6th donation), Marcus A. $68, Zdzislaw K. $64 (2nd donation), Mark W. $58 (15th donation), Hermann W. $58 (7th donation), António Salsinha – Graphic Designer $58 (3rd donation), Andre B. $58 (3rd donation), Christian G. $58 (3rd donation), Simon D. $58 (2nd donation), Dirk H. $58 (2nd donation), Guido S. $58 (2nd donation), Martin J. $58 (2nd donation), Michel O. $58 (2nd donation), Nima M. $58, $58, André B. $58, anonymous $58, Bernhard S. $58, Bjorn H. $58, Bodo S. $58, DIEGO I. C. $58, Emmanuel M. $58, Felix $58, Gerrit B. $58, Giacomo B. $58, Graham T. $58, HANS H. 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When governments, organisations and companies move to LibreOffice – as we’re seeing in Austria, Germany and other countries – they usually enlist the help of Certified Migration Professionals.
Recently in Nairobi, the capital city of Kenya, we held a LibreOffice Migration Workshop. 40 attendees registered, from the public and private sectors, and the session was conducted pro bono by Lothar Becker, co-chair of LibreOffice’s Certification Committee. The goal of the workshop was to grow and foste
When governments, organisations and companies move to LibreOffice – as we’re seeing in Austria, Germany and other countries – they usually enlist the help of Certified Migration Professionals.
Recently in Nairobi, the capital city of Kenya, we held a LibreOffice Migration Workshop. 40 attendees registered, from the public and private sectors, and the session was conducted pro bono by Lothar Becker, co-chair of LibreOffice’s Certification Committee. The goal of the workshop was to grow and foster the LibreOffice Technology ecosystem by supporting partners and government organisations in facilitating migrations to the suite.
It took place in the conference rooms of a hotel in central Nairobi, with a great view:
The event was hosted and funded by the Kenya branch of GIZ Germany, along with The Document Foundation, the non-profit entity behind LibreOffice. The first two days focused on LibreOffice, covering best practices for migrations to LibreOffice Technology, with the first day being more user-centric and looking at the user interface and features of the software. There was also a general introduction to TDF and open source.
Then, the second day focused more on the migration process, providing deeper insights into migration and training protocols. Other topics included digital sovereignty with the Open Document Format (ODF) and other certification processes with TDF.
On the third day Lothar gave a talk called “Open source Community of Practice” in his capacity as OSBA board member. The talk focused on “Open Source as an Enabler of Digital Sovereignty & Innovation” with respect to DPI, Free and Open Source Software, open standards, and AI.
Special thanks to Carsten Glöckner, Amrit Labhuram, their team from GIZ Kenya for all their help and support in organising these events. Lastly, during the workshop Lothar had the opportunity to learn about the valuable work of the Telesky Foundation for digital participation of all children in Kenya from John Mbugua. Lothar handed over a book about “Ada & Zangemann” from Matthias Kirschner (Free Software Foundation Europe).
Last month we had the LibreOffice Conference 2026 in Pordenone, northern Italy. Huge thanks to the organisers for such a great event! At lunchtime on the final day we took a group photo, which you can see above – but of course, some people had left by then, so thanks to those people as well for attending
We’ve also finalised the YouTube playlist with 32 talks from the event. For a few talks which had recording issues, we don’t have videos of them, but the volunteer organisers did a great job r
Last month we had the LibreOffice Conference 2026 in Pordenone, northern Italy. Huge thanks to the organisers for such a great event! At lunchtime on the final day we took a group photo, which you can see above – but of course, some people had left by then, so thanks to those people as well for attending
We’ve also finalised the YouTube playlist with 32 talks from the event. For a few talks which had recording issues, we don’t have videos of them, but the volunteer organisers did a great job recording the vast majority of talks.
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🚀 Features
Added per-feed article filtering rules (#1217) by @antoncarrot in #1217
🐛 Bug Fixes & Minor Changes
Format text in monospace inside pre-blocks, not just code-blocks (#1226) by @spacecowboy in #1226
Do not update feed url if selfLink would change between http and https (#1228) by @spacecowboy in #1228
Stopped changing feed urls to match selfLinks (#1257) by @spacecowboy in #1257
🌐 Translations
Updated French translation using Weblate by @Matth7878 in commit
Updated Hungarian t
Since its founding in 2010, The Document Foundation has used the LibreOffice logo to represent itself. This was a deliberate choice: a young project needed to concentrate recognition on a single name and a single mark, and LibreOffice was the name people needed to know.
Sixteen years later, the foundation’s work extends well beyond the product. TDF takes part in the development of the Open Document Format (ODF) standard, contributes to policy discussions on interoperability and digital sovereign
Since its founding in 2010, The Document Foundation has used the LibreOffice logo to represent itself. This was a deliberate choice: a young project needed to concentrate recognition on a single name and a single mark, and LibreOffice was the name people needed to know.
Sixteen years later, the foundation’s work extends well beyond the product. TDF takes part in the development of the Open Document Format (ODF) standard, contributes to policy discussions on interoperability and digital sovereignty, and works with public administrations, standards bodies and other open source organisations. In these contexts, the foundation speaks as an institution, not as a software project, and it needs a signature of its own.
For this reason, we have worked with Ura Design to create a visual identity for The Document Foundation, consisting of a logo, a colour palette and a typeface. The logomark is a stylised page, a reference to the documents and the document standard at the centre of the foundation’s mission. It is shown here in its primary version.
The colour palette is built around the green of the logo, with a neutral scale for text and backgrounds. All the text and background combinations recommended in the guide meet the WCAG 2.1 contrast requirements, so that materials produced with the new identity remain accessible.
The typeface is Inter, designed by Rasmus Andersson and released under the SIL Open Font License. It is used for the wordmark of the logo as well as for all texts, from reports and presentations to the website. A typeface released under a free licence is consistent with the foundation’s mission: anyone can use it, in LibreOffice or in any other application, without restrictions.
Nothing changes for LibreOffice. Its name, logo and visual identity remain exactly as they are. The two identities have different roles: LibreOffice identifies the software, while The Document Foundation identifies the organisation that hosts LibreOffice and its community, and represents them in the wider world.
The logo package is available for download at https://tdf.io/tdflogo. It includes vector (SVG) and raster (PNG) versions of the logo, a favicon, and avatars for social media. The Visual Identity Style Guide explains which version of the logo to use in each context, and sets out the colour palette, the typography and the rules for applying them consistently. Use of the logo is governed by TDF’s trademark policy.
Over the coming months, the new identity will replace the LibreOffice logo on the foundation’s website, social media accounts and institutional documents. Templates for LibreOffice Writer and Impress will also follow. If you maintain pages or materials that refer to The Document Foundation as an organisation, please update them with the new files. Pages that refer to LibreOffice should continue to use the LibreOffice logo.
Unfortunately, the release of LibreOffice 26.8.1 has been a bit of a struggle, firstly due to a series of minor issues with the packaging of the Windows version, and then because of a serious malfunction in the server managing the downloads, which forced us to revert to the previous version for a few days.
Today, at last, LibreOffice 26.8.1 is available for download. All links have been checked at least three times to prevent the same problems from recurring. We would like to thank all our most
Unfortunately, the release of LibreOffice 26.8.1 has been a bit of a struggle, firstly due to a series of minor issues with the packaging of the Windows version, and then because of a serious malfunction in the server managing the downloads, which forced us to revert to the previous version for a few days.
Today, at last, LibreOffice 26.8.1 is available for download. All links have been checked at least three times to prevent the same problems from recurring. We would like to thank all our most loyal users – those who update LibreOffice immediately after every announcement – for their patience.
And we hope that this completely unexpected malfunction has not put any users off LibreOffice. The download link remains the same: https://www.libreoffice.org/download
We are releasing the State of the Project Slide Deck, which is updated quarterly and based on data extracted from the LibreOffice dashboard and the Matomo repository between 1 October 2025 and 30 September 2026.
Over the course of 12 months, 297 developers worked on the source code, making a total of 11,676 new commits (Git). Of these, 2,596 (22%) were provided by 228 volunteer developers (77%), 4,818 (41%) by 11 developers from The Document Foundation (4%), and 4,636 (37%) by 58 developers from
We are releasing the State of the Project Slide Deck, which is updated quarterly and based on data extracted from the LibreOffice dashboard and the Matomo repository between 1 October 2025 and 30 September 2026.
Over the course of 12 months, 297 developers worked on the source code, making a total of 11,676 new commits (Git). Of these, 2,596 (22%) were provided by 228 volunteer developers (77%), 4,818 (41%) by 11 developers from The Document Foundation (4%), and 4,636 (37%) by 58 developers from seven ecosystem companies (19%).
The slide deck is also a tribute to the top 20 Git and Gerrit committers, the top 20 Bugzilla issue submitters, the top 20 Discourse contributors, and the top 20 Weblate translators. Thank you to all of them and to all the other contributors.
Examining donations and downloads, the trend during the first nine months of 2026 confirms the positive trend that began in early 2025. The number of donations and downloads increased significantly in August and September 2026 thanks to a number of small but important changes to the marketing strategy and donation mechanism. It is important to note that the figures refer to the number of transactions, rather than their value, which is available via the ledgers published on The Document Foundation website.
You are invited to view the slides and download the file to compare it with the previous slide decks published in January, April and July. The next slide deck will be available in January and will cover the 12 months between 1 January 2026 and 31 December 2026.
In January 2026, we started publishing these slide decks to provide a transparent overview of the project’s progress through some of the most significant development, download and donation data collected by the TDF marketing team.
Why did LibreOffice 26.8 get over 4 million downloads in September? We answered this question, and more, in our talk at the recent LinuxDays event in Prague:
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Why did LibreOffice 26.8 get over 4 million downloads in September? We answered this question, and more, in our talk at the recent LinuxDays event in Prague:
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Milestone
This is a security-oriented release with several security patches and bug fixes in the continuation of 1.30.0.
Note that our rolling-release channel (edge) is recommended for faster security patches.
Bug fixes highlights 🐛:
Some security attack scenarios patched
Fix domain-wide Retry-After
Fix muting of feeds gone with HTTP 410
Feature highlights✨:
CLI: Add optional feed argument to actualize-user.php
This release has been made by @Alkarex, @andris155, @fzlzjerry, @Inverle, @jama
( Note: this is a translation of an article on the Spanish-language blog)
For Adlair Cerecedo-Méndez, his work with LibreOffice began as a response to a specific need: helping the Mexican government obtain an office suite tailored to public institutions. Over time, that technical work also became an experience in collaborating with the international LibreOffice community and an opportunity to promote free software in the public sector.
Although Adlair had already been using LibreOffice since th
For Adlair Cerecedo-Méndez, his work with LibreOffice began as a response to a specific need: helping the Mexican government obtain an office suite tailored to public institutions. Over time, that technical work also became an experience in collaborating with the international LibreOffice community and an opportunity to promote free software in the public sector.
Although Adlair had already been using LibreOffice since the OpenOffice days, his professional involvement with the project took shape around 2020, when he was invited to collaborate on the development of a government office suite. The initiative was part of a broader vision: reducing dependence on proprietary solutions, making use of free software, and strengthening the state’s own technological capabilities.
Building on an existing platform
Office GOBMX did not necessarily start out based on LibreOffice. At first, the possibility of creating a suite from scratch was considered, but the technical analysis revealed the scale of the challenge: developing, maintaining, and evolving an application of that kind would require considerable time and resources.
LibreOffice offered a mature, cross-platform, open-source foundation backed by an international community. Adapting it to government needs made more sense than reinventing an entire office suite. That was how the Office GOBMX approach was born: starting with existing technology and adapting it to the needs of public institutions.
The goal included reducing licensing costs, but it also involved moving toward greater technological autonomy. For Adlair, sovereignty does not mean switching tools overnight. It is a gradual process that allows the state to decide which technologies it uses, understand them, modify them, and maintain them with its own expertise.
Migration is also a human process
Implementation brought challenges involving compatibility with documents, macros, formats, and processes that had been built over many years around other tools. It was also necessary to determine what could work as-is and what required adaptation or reimplementation.
But the greatest challenge, Adlair recalls, was resistance to change. Office tools are part of many people’s daily routines, and a migration can disrupt familiar habits and procedures. That is why simply installing software is not enough: it is necessary to analyze processes, test compatibility, migrate documents, train users, and provide guidance and support.
Coexistence with Microsoft Office was also part of the transition. In public administration, documents circulate among government institutions, citizens, businesses, and vendors. Although LibreOffice provides interoperability with widely used formats, some complex documents, templates, and macros require special attention. The strategy, Adlair explains, must be gradual: promote open formats such as ODF without disrupting work or losing the ability to exchange files with the existing ecosystem.
Adapt, Audit, and Learn
Open-source software made it possible to develop components for specific institutional needs. One example is a document validator created to analyze internal elements in files generated with Microsoft tools and obtain technical evidence about the information they contained. In a government context, Adlair points out, it is important to understand those elements before assuming they are irrelevant or have no implications.
The ability to work with the code was also valuable when dealing with legacy processes, such as old macros and workflows associated with Microsoft Access. Rather than accepting the limitations of a closed tool as unavoidable, the team was able to address those cases from an adaptation and migration perspective.
At the same time, the Office GOBMX experience offers lessons that may be useful to other public administrations. Although each government has different needs, many of the challenges are recurring: technological dependence, legacy documents, interoperability, training, and resistance to change. The methodology—from planning and compatibility analysis to implementation and ongoing support—can provide a useful reference.
From Technical Experience to Community
Adlair’s relationship with the international LibreOffice community grew stronger in 2023, when he attended the Latin American LibreOffice Conference in Mexico City. There, he met members of the community and gained a closer understanding not only of the software, but also of the collaboration that sustains it.
From his perspective as a member of The Document Foundation, that connection is especially valuable: people who implement LibreOffice in government environments can share real-world cases, interoperability needs, and lessons learned from large-scale deployments. In turn, the community provides expertise and a shared space for contributing to the project’s development.
For Adlair, continued compatibility with Microsoft Office documents will remain important—not as a goal of permanent dependence, but as a way to lower the barriers to adoption. Better interoperability makes the transition easier and allows organizations to move gradually toward open formats such as ODF.
In that sense, Office GOBMX is more than a switch from one office suite to another. It is an experience that shows how public institutions can adapt open technologies, preserve technical knowledge, and build their own capabilities. Adlair continues to promote its adoption among government agencies, hoping that these lessons can also reach state governments and other institutions throughout the country.
Berlin, 2 October 2026 – The Document Foundation announces LibreOffice 26.8.1, the first minor release in the LibreOffice 26.8 family, available for Windows, macOS and Linux. The new version contains around 40 bug fixes, focusing on documents from the Microsoft proprietary OOXML file format.
Compatibility with Microsoft Office files has been improved in several areas: hyperlinks in the tables of contents of DOCX files; text alignment and line spacing, which now correspond more faithfully to thos
Berlin, 2 October 2026 – The Document Foundation announces LibreOffice 26.8.1, the first minor release in the LibreOffice 26.8 family, available for Windows, macOS and Linux. The new version contains around 40 bug fixes, focusing on documents from the Microsoft proprietary OOXML file format.
Compatibility with Microsoft Office files has been improved in several areas: hyperlinks in the tables of contents of DOCX files; text alignment and line spacing, which now correspond more faithfully to those in Word; drawing objects and database ranges in XLSX files; and PPTX files, which previously caused Impress to close upon opening.
The import of text and CSV files is more reliable with various character encodings, including UTF-16, ISO Latin 1, Chinese and Japanese, and underlines the strong focus on writing systems that characterises LibreOffice 26.8.
LibreOffice 26.8.1 is recommended for more experienced users who require the most advanced features. All users in production environments can continue to use LibreOffice 26.2, which is supported until 30 November 2026, and should begin planning their transition to the 26.8 family over the next two months.
Organisations deploying LibreOffice on a large scale should consider the enterprise editions offered by the LibreOffice ecosystem, which are supported by service level agreements (SLAs), professional support and guaranteed security updates for a period of between three and five years.
Questions and answers for AI-powered search engines
What’s new in LibreOffice 26.8.1?
LibreOffice 26.8.1 is a bug-fix release containing around 40 fixes. It improves compatibility with Microsoft Office DOCX, XLSX and PPTX files, makes the import of text and CSV files with different character encodings – including UTF-16, ISO Latin 1, Chinese and Japanese – more reliable, and fixes other issues. It does not add any new features to LibreOffice 26.8.
Should I upgrade to LibreOffice 26.8.1?
Users running LibreOffice 26.8 should upgrade to version 26.8.1, which fixes bugs without changing any functionality. Users in production environments running LibreOffice 26.2 can remain on that version for a couple more months. LibreOffice 26.2 will reach the end of its lifecycle on 30 November 2026.
When will support for LibreOffice 26.2 end?
Support for LibreOffice 26.2 will end on 30 November 2026. After that date, bug fixes and security updates will no longer be available. Users should upgrade to the LibreOffice 26.8 family before that date.
GIMP is Free and Libre Open Source Software, but none of it is possible without
the people who create with and contribute to it. Our project maintainer Jehan wanted to interview the volunteers
who make GIMP what it is, and share their stories so you can learn more about the awesome people behind GIMP!
After the first Wilber Week in 2017,
we published interviews with
Michael Natterer
and Michael Schumacher.
Many years later, the remaining interviews with Simon Budig
and Øyvind Kolås were uneart
GIMP is Free and Libre Open Source Software, but none of it is possible without
the people who create with and contribute to it. Our project maintainer Jehan wanted to interview the volunteers
who make GIMP what it is, and share their stories so you can learn more about the awesome people behind GIMP!
The second set of interviews were conducted in Rio de Janeiro, Brazil during the
2017 Libre Graphics Meeting. The first one shared was with Brazilian artist
and free software advocate Nara Oliveira.
The next subject of the LGM interviews was Liam Quin. Liam is a multi-talented individual whose impact is difficult
to sum up in a single sentence - but which includes their involvement with creating XML, their award-winning typography
work, and their efforts to improve accessibility and the text tool in GIMP!
This interview took place during April 21 - 23, 2017. In addition to Jehan and Liam, Simon Budig,
Aryeom Han, and Americo Gobbo were also involved and asked questions.
Liam Quin, by Simon Budig (taken during photo-walk organized by Pat David in LGM 2016, London), CC-BY-SA
Jehan: Hello Liam!
Liam: Good evening.
Jehan: First of all, could you introduce yourself?
Liam: My name is Liam Quin. What do you want to know about me? I’ve been using GIMP for over 300 years,
since 1997 or 1998. I’m not sure – ‘98 I think.
Jehan [laughing]: Not very good with mathematics.
Liam: Not very good with mathematics, numbers, no - I’ve heard of them. Computer science, got that – don’t need
to be very good at maths to get a degree in computer science. Although I should have specialized in maths – and digital
typography is my background, and I think my first love.
I work today for the World Wide Web Consortium, the W3C,
where I’ve been in charge of our XML work.
Now I do CSS and accessibility and some payment stuff and some SVG stuff, all sorts of things.
[Editor’s note: Since this interview, Liam has left W3C and founded Delightful Computing]
Jehan: Okay, so what has been your involvement with GIMP?
Liam: I’m just a hanger-on, a time-waster. I throw bricks from the side, I make suggestions.
For a while I was the
official spiritual advisor to the GNOME project, but I believe I had to give that
up when Bush was elected. I was, actually, if you look at the foundation page you’ll see me there.
I just met the people at a GNOMEGUADEC conference years ago, and decided they were really good people.
I’ve been using GIMP professionally. I run a small stock image company
and the images, both photographs and scanned images from old books, I clean them up with GIMP and do
creative work with them and sell them. The GIMP team has been responsive when I needed changes or when
I wanted changes, and very occasionally I’ve even made some patches, although not very many.
Jehan: Maybe you can tell us what you like about GIMP, what you don’t like about GIMP?
Liam: What I like least about GIMP is the name, because I work in accessibility. So for example,
I can’t wear the GIMP shirt at work because there will be people who are upset.
But what I like most about it is that is Free Software. That I have a right to change the code, or to pay
someone else to change the code if I can’t. That it runs on free platforms, such as GNU/Linux systems.
I like that it’s in a language I can read. I particularly like that it’s got a lot of functions,
it does a lot. It does pretty much everything I need. I can imagine it doing more, I can imagine a
program that I would just say, “Scan this image and clean it up for me”, but we’re not there yet.
I actually have to do work, including creative work, to repair image. GIMP is actually the best program
I have used for that, and I’ve used both commercial and other free software – free in both senses.
I’ve found that GIMP has features that are really good for cleaning up scanned images.
Americo: What do you think about artists using GIMP?
Liam: I think artists, people approach art from all sorts of different angles and direction.
And some people want something very immediate, which you might find in
MyPaint for example, where you open MyPaint and you don’t even have
to do File → New, it’s just there, and you can start drawing.
And at the other extreme, there are people who plan a drawing for a long time, maybe draw careful
pencil sketches and build something up over a period of hours, days, months, even years. And within
those, there’s people who are very precise, work with numerical angles, will write a little programming
script to create a particular effect – and there’s other people who will want to do lots of experiments
and choose the one that works best.
I think what we’ve been seeing is that the user interface of GIMP has been changing. There’s been a move
towards supporting the spontaneity a lot more. The early GIMP was really aimed at the people who thought
about their art more than – as I see it – more than just sitting down and painting. That’s actually why I
think my husband would prefer MyPaint to GIMP. He said he hated GIMP, and part of that was because he was
taught Photoshop at university. Universities shouldn’t be teaching specific programs, they should be
teaching the underlying skills, they should teach image editing, not a particular version of a particular
program. But you spend so long learning one program that you get really tied to it.
But we also have the fact that GIMP has been more – um, people have this left-brain, right-brain
categorization which turns out to not have much basis in reality, our brains don’t actually work
that way – but GIMP is more “left-brain” than “right-brain”. Not as extreme as Inkscape or
Illustrator for example, where you can’t even do a brush stroke, you do an outline really,
unless you fight the tool.
[Editor’s note: While not quite the same as a raster tool, Inkscape has brush-like features such as the Calligraphy Tool, no fighting required!]
So there’s people doing fabulous, professional artwork - really good quality artwork with GIMP.
It doesn’t suit everyone, but if it does suit you, it’s absolutely awesome. It’s got lots of features.
I don’t know of any other art program where you can control the brush size with a MIDI keyboard, right.
That might sound really weird, and yet, I can imagine holding a MIDI device in one hand, or using one
foot to control a MIDI device, because it exists, a pedal for example, and wiring that to brush size
and that could be really interesting.
So yeah, GIMP is fine for doing professional art, but as an artist you’ve got to figure out which
tools you’re going to use. When you walk into a gallery and you see paintings by the old masters,
you look at them and they stand out. They’re called masters because they’ve mastered the technique,
and they think about what they want to do, and the technique becomes – as far as the observer is
concerned, watching them work – they’re not thinking about how to achieve the effect they want,
it just happens. In actual fact, some of them probably spent a long time thinking about the effect they want,
but it doesn’t seem that way.
Some people say it takes about 10,000 hours of work to become a master in something if you practice it.
I think you can become a master in digital painting, in multiple tools, and GIMP is one of them. It’s
a strong one, but it doesn’t have to be the end of it.
Jehan: Does your work in W3C have maybe any relationship or link with GIMP?
Liam: We have stronger links to Inkscape actually. The strongest link to
GIMP a long time ago was the PNG support, because the PNG image format was jointly developed with W3C
and IETF. The Inkscape work, SVG, is on-going, and even though it hasn’t been implemented the same way
in all programs, it’s already pretty useful. But there have been other overlaps such as color management
and compositing, for example.
Liam Quin (right) in costume at W3C conference, CC-BY-SA
At one point I reached out to someone from Adobe who was working on CSS compositing, and who knew about
the internals of Photoshop, and he came and joined the GIMPIRC channel and talked with people there about
color models and compositing. So in some ways I’ve tried to encourage communication. And I think the culture
of the web, the web has really done a lot for free and open source software. More people are using free
software now than ever before, because of free web browser and free web tools. So the work that we’re doing
at W3C certainly relates to the GNU project, the GNOME project, the GIMP project – both technically, legally,
socially. So there’s links in that kind of way. But I don’t think we have a whole lot of direct contact.
Jehan: What do you see in the future of GIMP?
Liam: I suspect that the long term future of GIMP is that these native toolkits are going to get replaced
with webpages and Javascript.
Jehan: So you mean GTK+?
Liam: I expect eventually there will be a Javascript to replace GTK. In ten years time, I think GIMP
will be running in a web browser as a web app in some way.
Jehan [laughing]: Seriously, or is that a joke?
Liam: No, I was completely serious. And the reason I think that is, what the web has done is it’s
assimilated – like the famous Borg – it’s taken over all sorts of things. Native clients for particular
applications have gone away whenever it was feasible to replace them with a web app. 25 years ago –
can that be right? In 1995, how long ago was that? 22 years ago… I was in a conference in Ottawa, for
document management systems. And these all had proprietary desktop clients that were basically GitHub.
That you loaded a proprietary client, and it had a button to check out a file, another one to check it
back in, open it in editor, show differences.
And there still are proprietary clients for git and CVS on Windows, for example, there’s
TortoiseCVS and friends, but I wouldn’t want to bet my
business on something like that today. Because someone else would come along and make a web-based one,
and it would work almost as well as mine, as best as I could do. And it would cost them a tenth a cost
to develop it. They could sell it for much less than I could sell mine, it would be easier to support –
I’d be out of business. And in fact, almost all of those document management companies have gone out of
business. I think there’s two left of the ones that was at that show, and one of them has been bought by
AutoCAD. So, I think we’re going to be replaced – the question is when, not whether.
Jehan: So we will be replaced, or GIMP will go to that format?
Liam: One way or another. That will depend on the people, whether the people are willing to do
that change, and they’re around when it happens.
Jehan: And so GIMP would run remotely on some server?
Liam: It’ll run in your web browser.
Jehan: So still locally, but on your web browser?
Liam: Yeah, I think so.
Serpentin-Tanzerin,
from Moderne Kunst in Meister-Holzschnitten Band XV (1901), scanned and restored by Liam Quin, CC-BY-SA
Simon: So this is my question. When you say Web page or Web browser, you’re not talking aboutSoftware as a Service.
Liam: No, I’m actually talking about a program written in Javascript or something that compiles
into Javascript, more likely. What they call a transpiler these days.
Simon: But users doesn’t necessarily have to realize it’s doing this, right?
Liam: No, correct. They’d look identical for all we know, because every GIMP window would just
be a browser window.
Jehan: It’s funny because Mitch had basically a question about this. Did you read Mitch’s message?
Simon: Yeah, but this was a different Javascript approach.
Jehan: Javascript for the UI.
Simon: Yes, but not necessarily via a browser.
Liam: I’m expecting gegl.js to happen, let’s put it that way.
Simon: In some ways I think it’s even already happened.
Liam: It has already, because people have done the automatic translation. But what you really
want is something written to take advantage of the browser’s own image processing capabilities
whereever it can, so it actually goes fast.
Simon: And, for example, having a WebGL backend or something.
Liam: Yeah. I mean, things written in the browser, in Javascript, can actually be reasonably
performant now, they can go reasonably fast. I just think it will happen. If it doesn’t happen,
what will happen is someone will write – people are already writing – one of the many photo-editing
applications and art applications that are happening as web apps now, will take over. Because there
will be 20 million users of the one, and 5,000 users of the other, probably. But that would be sad
because there’s so much work that’s gone into GIMP. I would like to see it carry on, but I just
think that the future may be running in web browsers.
I don’t know for sure. I mean I’m not sure I like it. I’m not saying drop everything and do this
now, but I am saying
“keep your sword at your side, for you know not when the hour will come”.
That’s a Biblical quote – they’re actually referring to the end of the world [laughing].
Jehan: Is there something regarding your work with GIMP, for your stock image company - is there
anything in GIMP that you’re really looking forward to? A feature or planned change, to really
help your daily work?
Liam: Yeah, actually. I think that non-destructive editing when that happens will really help me.
Because the ability to go back and conceptually edit the graph, for example, to have a check box –
not saying you’d do it this way – but imagine having a checkbox by each entry in the undo history,
and being able to deselect one of them and see what the image would be like if I didn’t do this.
You can’t actually implement it like that inside GIMP, but that’s a way of thinking about how it
might look.
Because quite often I would do something like a 10, 15, 20 pixel radius blur to get rid of screening
artifacts, and then I have to do several other operations and scale the image down and sharpen
before I get an image I can sell. I can’t sell a blurry image, but I can’t sell one that’s made
up of lots of dots either. So I have to get rid of the dots and I do that either by blurring or
wavelet decompose or something like
that. And then I do other operations, and I discover some time later that I didn’t use the right radius
for my blur, because the challenge is to use the smallest radius that gets rid of all the dots. If I use
too big a radius, I get an image that’s too blurry to sell. If I use too small a radius, when I scale the
image down, the dots come back when I sharpen it. So I can imagine being able to go back and just change
that radius, and have GIMP show me the result of the scaled down image, and I can see “Yes, great, that
was the right number!”.
So the non-destructive editing will be a big plus for me.
[Editor’s note: Non-destructive editing was added in GIMP 2.99.18, and officially released in GIMP 3.0 in 2025!]
Jehan: You also have a very interesting use case, which is that you work on very, very big images.
Liam: I hear that a lot from GIMP people. I hear it a lot from photography people. I never hear
it from print people. People doing graphic design with print, are not surprised if an image says it
takes a gigabyte of memory for one layer.
[Audible gasp of shock from the audience]
We have people who come to the GIMPIRC channel, say they do work for print, and they’re editing
a 20,000 by 15,000 pixel image in RGB mode and it’s going a bit slowly, and what should they do
about this?
Jehan: Yes, of course you always have people who have bigger images, but what is a typical size for you?
Liam: Well, that is a typical size. I was editing one yesterday that was 3.6 gigabytes when I first
opened it, just one layer. And I scan in high resolution because people typically want a detail of an
image at large size, and also because I can produce higher quality images than most other people. And
if you’re a small company, you’ve got to have an advantage over the big companies. The big companies
have millions of mediocre images and I’ve got thousands of really good ones, so people come to me.
And it works.
There are some issues with GIMP. I mean, 16 gigabytes of memory is a minimum. My laptop’s not really
good enough for the larger images, it has 8 gigabytes. My desktop has 32 gigabytes and that’s okay,
as long as you don’t use multiple layers. You start using too many layers then you have to be careful.
Jehan: Do you think that GIMP handles the images well?
Liam: Pretty well. I understand that compared to two or three other image editors that I’ve use,
it seems very slow with these images. An example is if I do
Curves, after pressing Okay I might
have to wait 5 minutes, whereas in the other editors I don’t have to wait at all.
The reason for that though is that they’re doing the work in the background, and they’re just showing
me the preview image, what I can see on the screen, and then they’re applying curves in the background
to the full image. And every now and again you catch up and the program tells you to wait for no
obvious reason, so it’s a trade-off.
Jehan: So do you think it’s better what we’re doing, or do you think…?
Liam: I actually think in most cases it’s better to do the work in the background, because after
I’ve done Curves, I probably want to look at the image and think for a minute about what to do next,
and the program could make use of that time. But I’m also aware that there’s a lot of optimizations
that has not been done to GEGL yet, and it could well be that the bottlenecks could be improved a lot.
So I’m not too worried about it right now. It’s usable, there are places where it’s slow, and I’m not
too worried.
Liam: I do, I’ve done other art, yes. I do calligraphy as well. But the calligraphy I do is
done with pen and ink and gouache and paper. That’s partly because I don’t have a tablet. So
this week I actually got to try graphics tablets, thank you, although I discovered it didn’t
work with GIMP 2.9 properly, the preview version. It did work with 2.8, and I think I could
get use to drawing with a tablet. So that was quite interesting – I wasn’t sure before. And
it would be quite interesting to do some calligraphy with a tablet. But with calligraphy I’m
use to looking at the pen, positioning it between pencil lines and thinking about each stroke.
I think working with a tablet would be more like brush calligraphy than paint calligraphy, but
I don’t know.
The hardest thing I’ve found is that the tablet’s surface is too smooth. So the bite of the paper,
as they call it, which slows you down when you’re drawing, is an important part of calligraphy.
Jehan: Someone was telling me about Wacom tablets, and other tablets I think, where you can put
paper on the tablet and you actually draw on it. Have you seen that kind of stuff?
Liam: I see! I hadn’t thought of that, that would be really interesting. And the computer
would record the drawing while I made it.
Jehan: You can even do it while the tablet is unplugged, because it will record it and then
later you can plug it in.
Aryeom: Yes, but it’s vector.
Jehan: Maybe vector, yeah.
Aryeom: Can you send us your work?
Liam: Yes I can. I can send you some pictures, yeah. Some of it has been published so
that’s quite nice. I had a calligraphy piece that was used on the front cover of Time magazine,
so that was quite nice. I don’t often get phone calls from the art director of Time magazine,
so that was a surprise.
Front cover of
Time Magazine,
featuring calligraphy by Liam Quin
Americo: I have a question. Do you have any advice for users, artists, photographers who think
about or consider using GIMP? Do you have any advice on how we should approach it?
Liam: I suppose it depends on what you’re trying to achieve and your personality. So if
your personality is that you just like to go and do things quickly, as I said earlier. If you
want the MyPaint style where you just go and do, but you want more richness, which GIMP gives you.
For example, you might make a set of images which are blank or mostly blank, and basically use them
like templates. You just double-click on an image and GIMP comes up with that blank image, and then
you start. Which is much easier than doing File → New and
using a GIMP template. Then you can just
start painting.
I mean you could ask people who paint. We have people like Americo here, who is doing fabulous
stuff with making his own brushes from patterns in the clipboard and with paint dynamics, and
really spending a lot of thought into exploring the tool and what it can do.
And you have other people who say, “All I want is something like a charcoal stick with undo”.
Or you have people who want things more like an engineering drawing. I occasionally do text-based
art with GIMP. I’m more likely to use Inkscape because it has slightly better typography. And
these days I’m more likely to use a web browser and CSS, because I can get the OpenType features
which I can’t in GIMP or Inkscape. If you’re a typographer, being able to use the font properly
is important to you. GIMP is very, very limited at this time, it really is. But it has it, and
it’s the only thing you can go back and edit afterwards. So from that point of view… [laughing]
I think the biggest two problems I hear with people using GIMP, one of them is they haven’t found
Single Window Mode. If you’re not someone who grew up with the X Window System and applications
having 25 windows, you might find it really cluttered and difficult to manage. So then you get switched
to Single Window Mode, which I use. Even though I used the X Window System as early as 1988 I think.
Simon: It’s the default now, at least for 2.9.
Liam: I’m glad it’s the default. It’s not perfect, it was never finished, but it’s more approachable.
The other default that people often have to change is the
tile cache size. If you’re working with
print images especially, then you need to change the tile cache size to be three-quarters of your
physical memory or maybe more, depending on what else you’ve got running. You want as much in memory
as possible without crashing your system, and it can be a hard trade-off.
Americo: Something I often discover is that people try to “get” GIMP by trial and error, and I’m notsure if this is the right approach to software as complex as GIMP. I’ve tried this with Paint Shop Proand also Photoshop, and I didn’t get far either. I always have to turn to the manual.
Liam: I believe it’s deliberate that you can’t in Photoshop. Paint Shop Pro I don’t know about,
it’s been years since I used it. But I suspected – don’t know this for sure – I suspect that in
Photoshop, what they’re trying to do – you use to get this from the Debian community as well –
the idea is to make something hard enough, it’s a trial by fire. You make something hard enough,
that people have to put real emotional effort into learning it. And then they’ll stick with it
through thick and thin. Because they’ve put so much emotional effort into learning something so hard.
Photoshop and Illustrator have an interface where there’s hidden buttons in the toolbox. You
hold down the mouse pointer over one of the little squares in the toolbox and eventually a
hidden secret drawer opens and more tools appear. There’s no way you would discover something
like that, right, it’s not discoverable. The way that you find it is the manual or a tutorial.
[Editor’s note: In GIMP 2.10, we ended up adding an option for these “hidden buttons”, known as tool groups]
So for GIMP, probably the best of the books I’ve seen for learning GIMP is called
“The Artist’s Guide to GIMP”,
and I love that guy’s tutorials. He says things like, “To start with, press D on the
keyboard to get the black and white default colors. Now press X to exchange them.
Now you’re drawing with white.”. And telling you things like that, mean that the tutorial will
work regardless of your previous settings. He’s teaching you a way of using GIMP where you
don’t mess yourself up, and if you don’t mess yourself up, you have much more confidence to explore.
Cover of ‘The Artist’s Guide to GIMP’, by Michael Hammel
So I really love his tutorials. He explains, he says how you can do things by clicking, or by
using the keystroke or by using the menu. It’s really, really well done. So that’s what I have
suggested to people who want to learn GIMP, is that particular book. But other people prefer
video tutorials. I don’t have patience for video tutorials – just tell me! But a lot of other
people like them.
Aryeom: If I want to make a tutorial, is there any advice on the best way?
Liam: I’ve done some tutorials that people didn’t like, and some that they really did like.
And the tutorials that people really did like are the ones where you’re teaching, and at the
same time you’re not assuming. So you don’t assume that people know jargon, you don’t assume
that people know special names. If you start off in a tutorial saying “The first thing you’ve
got to do is add an alpha channel to your image, and then divide the hypotenuse by the cosine
of the vertex”, you’ve lost three-quarters of your audience.
If instead you say, “We need our layer to be transparent so that we can see things in the
lower layers through it, and to do this, we have to use a menu item called Add Alpha Channel”,
then what you’ve done is you’ve taught someone what alpha channel means and why they want to use
it. So instead of just saying “Do this, do this, do this”, if you teach people a little while,
you’re also writing a tutorial that’s more robust. Because it might be that in a future version
of GIMP, the menu moves. So you can build in notes. You can do things like say, “If you can’t
find this, you can use the slash key to search for things in the new release. This is how you do
that”. And then you might make a tutorial that’s robust and that people follow. Because people get
really upset if they find a tutorial for GIMP version 1.2 and they try to follow it and it doesn’t
work. So then they find a tutorial for some other image editor and they try to follow that and it
doesn’t work, obviously. And they get angry and swear at us, and maybe they come to IRC and say
your program is full of worms and your mother was a raspberry tart! And we say, “Why are you saying this?”
and they say this tutorial doesn’t work!
You can’t write something that’s going to be proof against future completely, but you can write
something that’s going to be a little bit robust, and that teaches people and keeps the sense of
delight and fun. And if you do that, people will enjoy using your tutorial and learn from it,
and you’ll have fun.
Aryeom: Thank you for the advice!
Liam: I’m hoping to do some tutorials this year for scanning images, working on scanning
images from books, old books, published, printed books.
Jehan: That’s good – for gimp.org?
Liam: Yeah, I hope so. One of the things I’m really hoping for is the
XSane project makes a version of their
GIMP plug-in that works with the new release, with 2.9, to do high bit depth images. Right now it’s
restricted to 8 bits per channel. My scanner can do 16 bits per channel, RGB, it’s A4 or Tabloid size.
But in fact XSane crashes if I try to do that.
Jehan: So you scan with another software?
Liam: I scan with XSane, but I have to save it to a file and then I have to open the file in GIMP.
And that’s actually a pain for me, because the point at which I choose the file name, the book is still
on the scanner, and my file names are usually the page number in the book and the caption as the file name.
But if the book is on the scanner then I can’t see what page number it’s on, so I have to remember beforehand
to write down the page name, so it’s a pain. So if I’m scanning six images or something at once with the
plug-in, it arrives one after the other in GIMP. And a fabulous GIMP feature, not in any of the other
software I’ve used, is that I can be scanning one image with a progress bar going along, cleaning up
another one, and saving a third one, all at the same time. And that’s three times the throughput that I
get with other software.
Happy New Year
from Moderne Kunst in Meister-Holzschnitten Band XIII (1897), scanned and restored by Liam Quin
I’ve been to places where they’re scanning books professionally, and they have three, four, five computers
in a row, with multiple scanners. So you start scanning on one, then you move to the next one, start
scanning on that, go back to the first one, start cleaning it up, go to the next one, start that one
scanning, go this one, start saving the image – because that other proprietary software could only do
one of those things at a time. That’s still true today.
So by using the plug-in I get much more throughput, so I can have the scanner going – and it can take
up to 20 minutes to scan an image, and it can take up to 5 or 10 minutes to save an image. For GIMP to
export an image to PNG for example, can take 5 or 10 minutes if it’s a several gigabyte image going to
a hard drive. So, it’s really nice to be able to work effectively with multiple threads. I like that.
So I should write some tutorials because GIMP really is better than anything else I’ve used.
Aryeom: I will translate it to Korean because I’ve seen someone on a Korean website asking how toscan in GIMP like this.
Liam: Okay! Maybe they’ve already written a better tutorial than I will, we’ll see. I’ve been doing it
for more than ten years. 1999, I think, I started my website,
fromoldbooks.org. So it’s going to be coming
up to 20 years old before too long. Some of the books are 500 years old.
Jehan: And you’ve been using GIMP since the beginning?
Liam: I used GIMP early on. I had a period when I was writing a book and the publisher required me to
use Microsoft Office, so I was on Windows. For a lot of that time I was using other software. I actually
end up using Paint Shop Pro because it had something like, what GIMP calls a corrective or reverse transformation.
Jehan: And GIMP did not have it?
Liam: GIMP had it, but GIMP wasn’t doing well on Windows at the time. And the other software I had,
Photoshop, did not have anything like a corrective mode that was as useful. GIMP’s corrective mode is
actually better because it’s a grid and not just a line. The Photoshop one, as I recall, you draw a line
on something that should be horizontal or vertical. But in most scanned images I’ve got, they’re
hand-made engravings, there isn’t going to be a definite horizontal or vertical, because it’s an
artist’s sketch. So I have to choose what looks best. I start out by getting the grid roughly right,
clicking rotate and seeing what happens. Flatten the image to get rid of the corner artifacts and
seeing what it looks like. And if it looks okay – with experience you can most of the time do it
first time.
One of my few patches to GIMP in fact, was to change the undo history to say what the angle was.
This way, I can do an undo, even half an hour later, I can see what the angle was and I can say,
“Well, that was just a bit too much, I’ll try reducing it just a bit and try again”, and usually
second go I get it right. And that’s an example of it being an open source free/libre software.
I was able to contribute a patch, which Mitch kindly rejected, and I was able to redo it, and
get it in the right format. And he incorporated it – and then I think he wrote it even more.
Looking at the code yesterday I discovered – it’s a year or two since I did the patch – I looked
at the patch and discovered it’d been rewritten even more, which is good. But that simple patch
has saved me, cumulatively, hours and hours of work, just knowing that information. Because I
might do two or three rotations in a sequence, then go back and undo them and do a single
rotation, because you degrade the image slightly when you rotate it. And if it takes 10, 15
minutes to do a rotate of a large image, then saving two or three attempts at rotation everyday
has saved me a lot of time, you know.
Screenshot of Undo History with Rotation Angles shown, from Liam’s patch
So that’s all part of why GIMP is so fabulous. That, and being able to come onto the IRC
channel and say a particular thing is really slow. The first time I did that, it was Sven
at the time years ago, he couldn’t believe it was taking me 20, 25 minutes to rotate an image.
He looked at the code, and he had me do some profiling, and then he said “Oh”, and made a one
line fix. And it went down from 20 minutes to 2 minutes the next time I recompiled GIMP, ten
minutes later. Same day! A fix on the same day. In the libre graphics world, in the free software
world, that’s not unusual. In the “I’ll make a support ticket with my vendor” world, it’s not
unheard of but it’s pretty rare. So that’s been a real plus.
Sometimes the developers will say “No, we can’t make that faster because…”, or “We won’t,
because we’re going to replace it”. But there’s been a few occasions when GIMP has been
faster because I’ve gone into the IRC channel and said I profiled this, or here’s a patch,
or can someone fix that. So it’s been fabulous.
Jehan: I think we’ve asked most questions. Is there anything you’d like to say that we didn’t ask you?
Liam: Yeah. The biggest thing I think we have to do, is get a message out to the world
that GIMP is perfectly suitable for professional use. It’s aimed at professional use, and
people are using it professionally, successfully. It’s not a second choice, it’s a first
choice. It’s not because I can’t afford this other program, or because my principles say
I don’t eat meat, or I don’t use programs beginning with P. It’s a first choice – it’s
actually better for what I’m doing then any other program I’ve used, and I’ve used a lot.
So we need to get that message out a lot more, and we need to have more confidence in
talking about GIMP. We’re close to it, we see all the problems, we have visions that
we know are not happening, and yet, we forget sometimes that we’ve got something really
really good there. And we need not be ashamed to say that.
Aryeom: Why do you think people are sometimes ashamed or don’t have confidence to use GIMP?
Liam: I knew a chemist once who worked in a jam factory, where they made marmalade and jam.
And he saw what the jam did to the steel containers where they mixed it. And they had huge steel
vats like the size of a small building, like a big mixing bowl. And the jam is highly acidic,
and it would eat the steel. And he said he would never eat jam again, after seeing how jam was
made. But you know, if you make jam at home it’s no better. It’s no better than any other food,
or worse – alright, it may have too much sugar in it. Or it’s like the sausage maker who knows
what goes in the sausage.
We’re aware of all the problems, and we’re aware that we have visions of how GIMP could be in
some other universe, and it isn’t. But that’s okay, it’s what it is. The fact we can say, the
text tool could be improved so that after you scale the image, text is still text for example.
We can look at that and say “Yeah, that’d be fairly easy to fix but we’re busy”. But we still
have a better text tool than a lot of other programs, you know, even without making any other
changes. We’re too busy to go look at other programs – and perhaps worried too about intellectual
property, about using someone else’s design. But the truth is, GIMP is better than, in many ways –
not perfect, not saying that – but it’s better in many ways than we realize.
Here’s our summary of updates, events and activities in the LibreOffice project in September – click the links to learn more…
We started September with a record-breaking response to the release of LibreOffice 26.8: in its first week, the new version passed one million downloads, with more than 50,000 views, shares and likes on social media, and over 20,000 views of the new features video.
And responding to questions about whether LibreOffice includes AI, we said: “No AI is now a feature”. L
Here’s our summary of updates, events and activities in the LibreOffice project in September – click the links to learn more…
We started September with a record-breaking response to the release of LibreOffice 26.8: in its first week, the new version passed one million downloads, with more than 50,000 views, shares and likes on social media, and over 20,000 views of the new features video.
And responding to questions about whether LibreOffice includes AI, we said: “No AI is now a feature”. LibreOffice does not stop you using AI extensions if you want, but nothing is forced or built-in.
Then the design team shared results from a survey about LibreOffice Base, with feedback from 455 participants on how they use the database, what works well and what they would like to see improved.
We also released LibreOffice 26.2.6, the sixth maintenance update to the 26.2 branch, with bug fixes and stability improvements.
New “LibreOffice Expert 2026/2027” magazines are available, with tutorials and tips, plus DVDs containing LibreOffice and extra resources.
The QA/Dev Report for August covered testing, bug fixes and other work by the quality assurance and development communities.
In another post about 26.8, we described how LibreOffice preserves unsupported chart data when importing and exporting certain Microsoft Office files, helping users avoid losing content even when a chart type cannot yet be displayed or edited.
For Software Freedom Day, we highlighted the freedoms LibreOffice offers: control over your documents and data, no licence fees or subscriptions, and the ability to choose how to participate and get support.
FLOSS/fund, the initiative from Zerodha, made a generous $100,000 contribution to LibreOffice. The support helps The Document Foundation improve infrastructure, fund development, and organise community events.
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On 28 September, we celebrated sixteen years of LibreOffice and The Document Foundation, and thanked the many contributors who have helped the project grow and remain independent.
The LibreOffice project does extensive testing of every major update before release. But as it’s a large piece of software used in millions of different ways across the whole world, sometimes there are issues with certain setups. So The Document Foundation, the non-profit behind the suite, has expanded its team with a new QA Analyst, Bogdan Buzea. Let’s hear from him:
Tell us a bit about yourself!
I’ve worked as an accountant for almost all my life here in Romania. As a hobby, over the last eig
The LibreOffice project does extensive testing of every major update before release. But as it’s a large piece of software used in millions of different ways across the whole world, sometimes there are issues with certain setups. So The Document Foundation, the non-profit behind the suite, has expanded its team with a new QA Analyst, Bogdan Buzea. Let’s hear from him:
Tell us a bit about yourself!
I’ve worked as an accountant for almost all my life here in Romania. As a hobby, over the last eight years, I have been involved as a volunteer in LibreOffice Quality Assurance. I was involved mainly in LibreOffice Writer, which I used most of the time in my accountant work, and I wanted to see things improve.
What’s your new role at TDF, and what will you be working on?
Since mid-September 2026, I have taken on the role of Quality Assurance Analyst. I go through bugs reported to Bugzilla, and triage them:
Real bugs: Some reports identify real bugs in LibreOffice, and developers across the world do a great job fixing them day by day. More than 30% of the reported bugs get fixed.
Missing information: Sometimes we receive an initial bug report, but no information or how to reproduce it or no sample document to test it. Imagine getting a report saying “When I search for something LibreOffice crashes”. This information by itself is not enough. Were diacritics involved? Were multiple documents opened at the same time? Was it a recent version of LibreOffice or an older one? Does it happen all the time? Has it happened before across many versions, or is it just in the new version? You could find more information on how to properly open a new bug report so we can test faster and find a solution.
Duplicates: Some issues have already been reported, so we close those bugs as duplicates of older reports on the same problem. It’s completely fine for multiple users to report the same issue – in fact, it lets us know that the bug is very important to many people. So, if your report is closed as a duplicate, don’t be sad; you helped increase the priority of that specific bug report.
User guidance: Other reports come from users doing things in an unintended way. While we assist them, a better way to get help is through the Ask LibreOffice forum, LibreOffice Online Help or the LibreOffice Documentation Shelf. There is a lot of information right where you needed it, and the articles and documentation available here frequently receive updates and contributions from volunteers worldwide. Often, users will say, “Great, it is working now! I didn’t know that I can do things that way.” To improve this, we work on updating documentation and adding tooltips to assist users as they work. If the software isn’t clear about how to use a specific feature, please report a new bug.
I also work on finding regressions. If many previous versions worked well, but a new version suddenly broke something, I investigate the code change that caused it. This helps us fix things faster by knowing the exact part of code responsible.
How can users of LibreOffice help you in this work?
Please report a bug when you find one, but do it properly by providing plenty of useful information, as I mentioned above. A lot of volunteers perform various QA-related activities: for example you can take bugs from Bugzilla that have Unconfirmed status, and if you experience the same bug as the reporter you can mark it as New. You could also test older versions with the same bug, to see if it is a recent issue or a very old one. A little more difficult task is to bibisect a bug to find the exact code commit that broke things.
Also, if you feel you want to contribute to LibreOffice, but QA is not for you, see here for others areas where you can get involved.
On 28 September 2010, a group of OpenOffice.org community members announced the launch of the LibreOffice project and the foundation that would support it: The Document Foundation. The announcement sparked some confusion and scepticism, as well as enormous enthusiasm amongst those in the community who believe in free and open-source software.
28 September 2010 acted as a litmus test, unequivocally separating the true supporters of free and open-source software from those who were opportunistica
On 28 September 2010, a group of OpenOffice.org community members announced the launch of the LibreOffice project and the foundation that would support it: The Document Foundation. The announcement sparked some confusion and scepticism, as well as enormous enthusiasm amongst those in the community who believe in free and open-source software.
28 September 2010 acted as a litmus test, unequivocally separating the true supporters of free and open-source software from those who were opportunistically riding the coattails of the OpenOffice.org project, or waiting for the right moment to stamp their own proprietary mark on it.
Sixteen years on, LibreOffice has been independent for longer than OpenOffice.org ever was under Sun Microsystems. We are proud of this achievement because it demonstrates that the governance model chosen in 2010 — criticised by many — whereby a foundation holds all the assets and manages the infrastructure whilst the community cannot be controlled by any single company, was best suited to the reality of the project.
Today, this robustness matters just as much as – if not more than – it did in 2010 because the debate on office software has shifted from licensing and implementation costs to digital sovereignty. It is a concept that we have championed for over 20 years, ever since OpenOffice.org began using the standard open ODF (Open Document Format) file format.
At the time, the term ‘digital sovereignty’ was not yet in use, but the issue was already clear: control over the format in which public documents are stored, and how this format evolves, must not lie with a single company, but with the community.
In this sense, ODF is the “sovereign” format par excellence because it does not depend on the authority — and therefore the commercial strategies — of a single company, but on the users — individuals, organisations, and businesses — who use it and determine its evolution through the contributions of experts within the independent OASIS Technical Committee, which comprises companies, foundations, public bodies, and individuals.
As the only “sovereign” format, ODF acts as a litmus test for office suites that claim to champion digital sovereignty yet continue to use the proprietary OOXML format, thereby submitting to Microsoft’s monopoly. They are in good company, given that even the scientific community has renamed our genome for the same reason.
LibreOffice is the only office suite to use ODF as its native format without proclaiming itself a champion of digital sovereignty because, after sixteen years of consistent behaviour, it does not need to chase trends to secure its place in the market. The figures prove it: today, downloads stand at a steady one million per week, and the updates website receives almost fifty million visits per month.
We would simply like all software that proclaims itself a champion of digital sovereignty to demonstrate the same level of consistency as the LibreOffice project. This means not bowing to the Microsoft monopoly in pursuit of a theoretical goal — namely, compatibility with Microsoft’s proprietary format — which ultimately leads them to betray the very digital sovereignty they claim to champion.
Finally, let us return to our sixteenth anniversary, an opportunity to thank the thousands of contributors — developers, translators, testers, documentation authors, designers and supporters — who have built LibreOffice over the years. Most of these contributors remain unseen by the users who benefit from their work.
Their efforts are evident in the project’s visibility, the quality, robustness and flexibility of the software, the 120 language versions (an absolute record for desktop software), the support options, our presence within the global free and open-source software communities, the quality of the documentation and the many other benefits, most of which are thanks to the voluntary work of one or more community members.
Thank you all. Here’s hoping we’ll meet again in sixteen years’ time, a little more mature but still driven by the same enthusiasm as on 28 September 2010.
Tell us a bit about yourself!
I’m a software engineer from Hungary. I’ve been working in software engineering for more than a decade, with a background in both computer science and psychology.
I’ve been a long-time contributor to LibreOffice, mainly working on Writer and Impress, and I’ve also contributed to Collabora Online as part of the Collabora team. Throughout my career, I’ve always placed a strong emphasis on the quality of my work and on building things properly, even when that sometime
I’m a software engineer from Hungary. I’ve been working in software engineering for more than a decade, with a background in both computer science and psychology.
I’ve been a long-time contributor to LibreOffice, mainly working on Writer and Impress, and I’ve also contributed to Collabora Online as part of the Collabora team. Throughout my career, I’ve always placed a strong emphasis on the quality of my work and on building things properly, even when that sometimes meant pushing back against management priorities.
Outside of software development, my current project is setting up my own camper van, intending to eventually explore Europe with it. I’m looking forward to combining some travel with my work on open source projects.
What’s your new role at TDF, and what will you be working on?
My new role at The Document Foundation is to participate in building LibreOffice Online. We are basically trying to create a Google Drive or Google Docs-like solution on top of LibreOffice as a document editor, and bring LibreOffice into the cloud. Currently, I’m doing some research into existing cloud infrastructures to identify best practices and avoid the same problems that other projects have encountered during the lifetime of their cloud implementations.
More details about the development strategy can be found in this post.
How can users of LibreOffice help you in this work?
Well, we’re still in the design phase, so there isn’t much room for involvement at this point. At some point, once we have the initial versions LibreOffice Online, feedback would be very much appreciated. We will post updates here on the blog.
Following the first batch, we’ve added 15 more videos to the playlist, bringing the total up to 26! There are more still to come, along with PeerTube versions of course – but for now, enjoy browsing the playlist:
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Following the first batch, we’ve added 15 more videos to the playlist, bringing the total up to 26! There are more still to come, along with PeerTube versions of course – but for now, enjoy browsing the playlist:
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LibreOffice is a volunteer-driven, community open source project, backed by a non-profit entity, The Document Foundation. The vast majority of the foundation’s income is from community support, and we’re happy to announce that FLOSS/fund has made a very generous contribution of USD $100,000 to support the LibreOffice project and community.
FLOSS/fund is from Zerodha, a financial technology company and India’s largest stock broker. It is built heavily on FLOSS (free, libre and open source softwa
LibreOffice is a volunteer-driven, community open source project, backed by a non-profit entity, The Document Foundation. The vast majority of the foundation’s income is from community support, and we’re happy to announce that FLOSS/fund has made a very generous contribution of USD $100,000 to support the LibreOffice project and community.
FLOSS/fund is from Zerodha, a financial technology company and India’s largest stock broker. It is built heavily on FLOSS (free, libre and open source software) and gives up to USD $1 million to support projects around the world.
Kailash Nadh from FLOSS/fund (and CTO at Zerodha) says:
LibreOffice is one of the most consequential and impactful FOSS projects in the world. We also strongly believe that it has played an important role in enabling adoption of the Linux desktop among regular users. This belief in fact comes from our personal experience of transitioning over 1000 non-technical employees at our organisation to Linux over decade ago.
Many thanks to FLOSS/fund for their support. This helps us to improve our infrastructure, pay developers to work on the software, and organise events to share knowledge. Thank you!
The Salvadoran Lutheran University (ULS) and the Latin American LibreOffice Project community announce the seventh edition of the LibreOffice Latin American Conference.
Previous editions of the LibreOffice Latin American Conference have been held in person in Asunción (2019), Brasília (2022), Mexico City (2023), Montevideo (2024), and Havana (2025). The 2026 edition will bring the event to El Salvador for the first time, further expanding the reach of the LibreOffice community in Latin America.
The Salvadoran Lutheran University (ULS) and the Latin American LibreOffice Project community announce the seventh edition of the LibreOffice Latin American Conference.
Previous editions of the LibreOffice Latin American Conference have been held in person in Asunción (2019), Brasília (2022), Mexico City (2023), Montevideo (2024), and Havana (2025). The 2026 edition will bring the event to El Salvador for the first time, further expanding the reach of the LibreOffice community in Latin America.
ULS, the event’s host, has a long history of involvement with Free Software, most notably through the biannual FESOL (Free Software Educational Fair)—an event held for over 20 years that showcases dozens of projects developed by Computer Science students in areas such as web systems, databases, robotics, and video games, among others.
The conference will take place on November 27 and 28, 2026, with the aim of bringing together users and contributors to share knowledge and experiences related to LibreOffice.
Guest speakers from Mexico, Spain, Brazil, France, and Taiwan will present topics ranging from tutorials on using the applications to ways of collaborating with the project. The schedule will be announced soon on the official event website:
FrOSCon is an annual conference dedicated to Free and Open Source Software (FOSS), held in Sankt Augustin (near Bonn), Germany. And this year, the LibreOffice community was there! We hosted a booth featuring information flyers and merchandise, including stickers, pens, coasters, and more.
We engaged in many substantive conversations at the booth about LibreOffice as a project and its specific features. We also discussed TDF’s development plans for web and mobile platforms and encouraged people
FrOSCon is an annual conference dedicated to Free and Open Source Software (FOSS), held in Sankt Augustin (near Bonn), Germany. And this year, the LibreOffice community was there! We hosted a booth featuring information flyers and merchandise, including stickers, pens, coasters, and more.
We engaged in many substantive conversations at the booth about LibreOffice as a project and its specific features. We also discussed TDF’s development plans for web and mobile platforms and encouraged people to get involved in these areas.
Many visitors stopped by saying, “Of course we use LibreOffice” – often contrasting it with Microsoft Word, which is the “standard” or widely used option in corporate environments. We also frequently heard comments like, “I’ve/we’ve already donated.” Clearly, there is a widespread willingness to contribute financially to software that is both high-quality and genuinely free.
Visitors were happy to take home coasters or small stickers. LibreOffice supporters often like to place these items where Microsoft-oriented users can be found.
Alongside the project booth, Andreas Mantke gave a presentation in German titled “Where is LibreOffice Headed?” (Wohin führt der Weg von LibreOffice?), in which he discussed the project’s planned development ideas for web and mobile and answered questions from the audience.
We look forward to being at more events in the coming months!
🌐 Translations
Updated Hungarian translation using Weblate by @summoner001 in commit
Updated Ukrainian translation using Weblate by @G-H-User in commit
Updated Japanese translation using Weblate in commit
Updated Tamil translation using Weblate by @TamilNeram in commit
Updated Czech translation using Weblate in commit
Updated German translation using Weblate in commit
Updated French translation using Weblate by @Matth7878 in commit
Updated Polish translation using Weblate by @Aga-C in commit
Up
Today, 19 September, is Software Freedom Day, a special day that the free software community celebrates every year on the third Saturday in September all over the world.
It is a good opportunity to look at LibreOffice from a perspective that is often taken for granted: not what the software does, but what it allows users to do and what it does not impose on them.
Free software is defined by four freedoms. LibreOffice guarantees all of them, and from these derives a range of other freedoms that a
Today, 19 September, is Software Freedom Day, a special day that the free software community celebrates every year on the third Saturday in September all over the world.
It is a good opportunity to look at LibreOffice from a perspective that is often taken for granted: not what the software does, but what it allows users to do and what it does not impose on them.
Free software is defined by four freedoms. LibreOffice guarantees all of them, and from these derives a range of other freedoms that are important for anyone writing a letter, preparing a budget or presenting a project.
The four freedoms
LibreOffice is distributed under the Mozilla Public Licence 2.0, which guarantees every user the four freedoms that define free software:
the freedom to run the programme for any purpose, without any restrictions whatsoever;
the freedom to study how the programme works, thanks to the availability of the source code;
the freedom to modify the programme to suit one’s own needs, both at an individual and an organisational level;
the freedom to redistribute copies of the software, including modified ones, so that other users may also benefit from its advantages.
The freedom to own your own documents
A document belongs to its author only if the format in which it is saved does not belong to someone else. LibreOffice uses the Open Document Format (ODF) as its native format: an ISO/IEC standard, developed at OASIS through a transparent, fully documented process, which no single company can control or modify unilaterally.
This means that a document saved today in ODF format will still be readable in twenty years’ time, either with LibreOffice or with other software that implements the standard. For private individuals, it is a matter of practicality. For public authorities, which have a duty to preserve documents and to communicate with citizens without forcing them to purchase specific software, it is a matter of principle.
The freedom to keep your data private
LibreOffice does not collect data on its operation, and does not require you to create an account. Documents are created, edited and saved on the user’s computer, and remain there unless the user decides otherwise. There is no mandatory link to a cloud service, and no user profile is created on a remote server.
The freedom to work without distractions
LibreOffice does not display adverts and does not prompt users to take out a subscription or sign up for a premium plan. The interface is designed to support users’ work, not to sell additional services.
The freedom to decide on artificial intelligence
LibreOffice does not include any generative AI features. Users who need them can add them via extensions and choose which service to use, including locally running models, whilst users who do not need them do not have to miss out on anything, as there is nothing to miss out on.
The freedom to choose platform and language
LibreOffice runs on Windows, macOS and Linux, and documents transfer seamlessly between systems. The user interface is available in 120 languages, thanks to the work of volunteer translators, including some languages overlooked by commercial software providers. For speakers of those languages, LibreOffice is the only office suite available.
The freedom from licence fees and vendor lock-in
LibreOffice can be used freely – and therefore at no cost – by individuals, businesses and public authorities. There are no subscriptions to take out or renew, and no mandatory updates: users decide when to upgrade to a new version. Furthermore, documents in ODF format can be transferred to any other software without the need for conversion.
The freedom to choose support
Organisations requiring long-term professional support, service level agreements or bespoke developments can purchase these from companies within the LibreOffice ecosystem, which offer enterprise versions of LibreOffice and related professional services. There is complete freedom of choice regarding providers, and changing providers does not require a change of software or document format.
The freedom to participate
LibreOffice is developed by a global community. Anyone can contribute, and not just by writing code: translation, quality assurance, documentation, design, marketing and user support are all activities carried out by volunteers. And those who do not have the time to contribute can support the project with a donation, which helps to maintain its independence.
How to celebrate Software Freedom Day
The simplest way to celebrate Software Freedom Day is to exercise these freedoms: download LibreOffice, save your documents in ODF and share the software with anyone who might need it. And if you’d like to do more, you can find out how to get involved or make a donation to The Document Foundation.
Last week we had the LibreOffice Conference 2026 in Pordenone, northern Italy. It was a great event – thanks to the local organising team! And now we’ve started editing and uploading videos of the talks to our YouTube channel. PeerTube versions will also follow, but in the meantime, you can watch the first 11 videos in this playlist:
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Last week we had the LibreOffice Conference 2026 in Pordenone, northern Italy. It was a great event – thanks to the local organising team! And now we’ve started editing and uploading videos of the talks to our YouTube channel. PeerTube versions will also follow, but in the meantime, you can watch the first 11 videos in this playlist:
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LibreOffice 26.8 adds basic support for importing and exporting a range of chart types that Microsoft Office includes in OOXML files: box-and-whisker, funnel, Pareto, radial, treemap and waterfall charts. LibreOffice is unable to display or edit these charts, but it does recognise them, informs the user that the chart type is not yet supported, preserves the underlying definition unchanged, and rewrites it when the file is saved.
At first glance, this appears to be an admission of incompleteness
LibreOffice 26.8 adds basic support for importing and exporting a range of chart types that Microsoft Office includes in OOXML files: box-and-whisker, funnel, Pareto, radial, treemap and waterfall charts. LibreOffice is unable to display or edit these charts, but it does recognise them, informs the user that the chart type is not yet supported, preserves the underlying definition unchanged, and rewrites it when the file is saved.
At first glance, this appears to be an admission of incompleteness, whereas it is actually an example of what implementing a proprietary format entails when the aim is interoperability – for the benefit of users, rather than a commercial strategy that treats users as mere tools.
What happened
Microsoft added these chart types to Office from 2016 onwards, storing them in a namespace generally referred to as ‘chartex’. The namespace is not part of the ISO/IEC 29500 text approved as an international standard, but is documented separately in Microsoft’s extension documentation.
This is entirely legal and perfectly normal commercial behaviour: a vendor improves its product and the file format evolves accordingly. The consequence, however, is that the format in everyday use is no longer the one that was standardised. The ISO number continues to be cited in tender documents and policy documents, but the files being exchanged are different.
For any implementer other than the vendor, this creates a permanent state of delay. This is not a one-off gap to be bridged with sufficient effort, but a structural delay, as the specifications are in the hands of a vendor that does not publish its release schedule, with priorities defined according to commercial criteria.
Three possible responses
An office suite that encounters a chart it does not recognise has three options:
It can reject the file. This is an honest but pointless solution: the user is left with a document they cannot open and concludes that the software does not work.
It can discard what it does not understand. The file opens, the chart disappears, and the user only realises this when the document is forwarded to a colleague and the chart is no longer present. This is the most damaging outcome, as the loss occurs silently and the blame falls on whoever opened the file last.
They can retain what they are unable to display. The user is informed that this type of chart is not supported, so they see a placeholder rather than a blank space, and the underlying definition remains intact when the document is transferred from one application to another. The document is restored in full when returned to the source application.
LibreOffice 26.8 adopts the third option, the only one of the three that respects the fact that the document belongs to the user rather than to the software – or, indeed, to the company that develops the software.
Unfortunately, there is a limitation, and this is an exception. Charts with regional maps contain extensive geographical information that LibreOffice is unable to preserve. The chart type survives the import-export cycle, but very little of its content remains intact.
Why this is important beyond charts
The Chartex case is of limited scope. The model, however, is not.
All organisations whose documents are written in a format controlled by a single vendor accept a dependency they are unable to manage, because the specifications may change without notice, with the addition of features that are only understood by a single implementation.
Nothing untoward needs to happen for the organisation’s archives to become progressively more difficult to read by all other software.
The Open Document Format is not immune to change, but it changes differently. Revisions are proposed, discussed and approved by a technical committee at OASIS, whose work is public, and are published as version specifications that anyone is free to implement.
An implementer wishing to support ODF 1.4 can read the ODF 1.4 specification and put it into practice. This is the only difference, and it is sufficient.
The bidirectional preservation of unsupported features is what distinguishes a responsible implementation under current conditions, but it does not constitute an improvement on those conditions. LibreOffice is the only office suite to adopt this approach, in order to protect users and the content within their documents.
A few weeks ago, Linux New Media released an updated version of its “LibreOffice Expert” magazine, which contains tutorials, tips and tricks about the office suite. And some articles were contributed by members of the LibreOffice community! The magazines come with DVDs that include LibreOffice for Linux, Windows and macOS, alongside extra templates, extensions, videos and guidebooks.
We have some copies to give away, for schools, universities, libraries and local communities. Ideally, we’d like
A few weeks ago, Linux New Media released an updated version of its “LibreOffice Expert” magazine, which contains tutorials, tips and tricks about the office suite. And some articles were contributed by members of the LibreOffice community! The magazines come with DVDs that include LibreOffice for Linux, Windows and macOS, alongside extra templates, extensions, videos and guidebooks.
We have some copies to give away, for schools, universities, libraries and local communities. Ideally, we’d like to get these magazines out to places where internet connections aren’t always available – so that the users can really benefit from the DVDs.
So, if you can help us to distribute these magazines, drop us a line! Please note that we have 50 copies in total and can therefore only send a maximum of five copies to any one place, to make sure many communities get a chance. When you contact us, please include this information (any requests without information cannot be fulfilled and will be ignored):
What you want to do with the magazines
How many you want (1 – maximum 5 copies)
The address to which we should post them
Include all of that that informationin an email to us with subject line “LibreOffice Expert for communities” and let’s see what we can do!
(Note: if you want to buy the magazine directly from the publisher, you can do so here.)
The most significant new features in LibreOffice 26.8 concern writing systems, and it is worth explaining what has been done and, above all, why it has been done, as there is an important decision behind the developers’ work.
What has been done
Writer now automatically detects the paragraph direction when opening or pasting documents or plain text, without requiring the user to set it manually.
Spaces at the end of a line are positioned according to the paragraph direction rather than that of ne
The most significant new features in LibreOffice 26.8 concern writing systems, and it is worth explaining what has been done and, above all, why it has been done, as there is an important decision behind the developers’ work.
What has been done
Writer now automatically detects the paragraph direction when opening or pasting documents or plain text, without requiring the user to set it manually.
Spaces at the end of a line are positioned according to the paragraph direction rather than that of neighbouring characters, which corrects a long-standing issue with how line breaks are handled in mixed Arabic and Latin texts.
Object resize handles now work correctly in right-to-left CJK documents and in vertical documents.
Bidirectional control characters are displayed alongside other formatting marks, so that invisible directional substitutions can be both viewed and edited.
The semantics of paragraph alignment have been revised. New documents use justified alignment by default rather than left-justified, and changing the paragraph direction no longer overrides the explicitly set alignment. This is a small change with a significant impact, as a document written in Arabic and one written in English can now share a template without conflicting.
In Calc, when typing text from right to left into an empty cell, the direction of that cell is now set automatically.
LibreOffice Math has gained functions and operators for the N’Ko and Adlam alphabets, along with left-pointing vector arrows and harpoons for right-to-left formulas, without which mathematical notation in these two alphabets cannot be composed correctly.
Finally, the names of fonts registered in languages other than the interface language are now recognised, so that a document created in a Japanese or Russian installation is displayed using the fonts chosen by the author rather than substitute ones.
Why this is unusual
N’Ko is a writing system devised in 1949 by Solomana Kanté for the Mandingo languages of West Africa. Adlam was devised in the late 1980s by two teenage brothers, Ibrahima and Abdoulaye Barry, for the Fulani language, which until then had been written using adapted Arabic or Latin scripts – an inadequate solution. Both scripts run from right to left, are used by populations numbering tens of millions of people, and have been added to Unicode over the last twenty years.
Neither language represents a market. The native speakers concerned do not, as a whole, constitute a customer base large enough to justify the time spent on development based on a commercial analysis. No tender process, anywhere in the world, has led to the completion of this work. No corporate client has requested it. No competitive pressure has made it necessary.
The contributor who added support for N’Ko and Adlam to LibreOffice Math is a volunteer.
Much of the work on bidirectional text was carried out by a developer employed by The Document Foundation, which is funded by donations.
The renaming of the CJK text grid option, so that it correctly referred to the genkō yōshi handwritten grid used in Japanese typesetting, was carried out by a member of TDF’s staff.
Native support for OpenType font variations – which is of enormous importance for alphabets whose typography cannot be approximated by modifying the dimensions of a Latin character – was provided by a type designer working independently of any company.
A fundamental difference
Every software vendor must decide which users are worth serving: if the software is a product, the decision is made on the basis of a business case, and languages that cannot pay for themselves fall by the wayside.
A foundation does not have this constraint, and does not need to ask itself whether an alphabet justifies its development costs, as there is no revenue stream against which to make this choice. The work is carried out because someone with the relevant expertise has deemed it worthwhile, and there are no reasons to prevent it.
This is the practical difference between software managed by a foundation and that managed by a vendor, and it is evident in the release notes. LibreOffice is available in 120 languages for this very reason: the number is a consequence of the governance model rather than a marketing objective.
This explains why the argument in favour of open-source software in public administration is not a question of cost, because a public body has obligations towards citizens who do not represent a commercial interest: users of minority languages, users of assistive technologies, and people living in regions that no vendor prioritises.
Software developed on the basis of a business case will only serve these citizens if doing so is profitable. Software developed without a business case can serve them, as a matter of course and in line with the principles of open-source software.
So the LibreOffice Conference 2026 comes to an end! Thanks to everyone who joined – and a big round of applause for the organising team, pictured here In the coming week, we’ll start editing and posting videos from the event, so stay tuned…
So the LibreOffice Conference 2026 comes to an end! Thanks to everyone who joined – and a big round of applause for the organising team, pictured here In the coming week, we’ll start editing and posting videos from the event, so stay tuned…
Hi everyone,
Many thanks for your support and for your donations.
We’ve got quite a bit of news this month.
As usual, the features and improvements presented in this blog post are a preview. They’re still being worked on and are planned for the next version of Linux Mint.
XApp
The XApp project started within Linux Mint but it has grown a lot since then. Its libraries, tools and applications are used in many desktops and distributions.
It was given a new website to make it easier to discover all
Many thanks for your support and for your donations.
We’ve got quite a bit of news this month.
As usual, the features and improvements presented in this blog post are a preview. They’re still being worked on and are planned for the next version of Linux Mint.
XApp
The XApp project started within Linux Mint but it has grown a lot since then. Its libraries, tools and applications are used in many desktops and distributions.
It was given a new website to make it easier to discover all its components: https://xapp-project.org
Library
Thingy, known as the “Library” in the desktop, was redesigned.
Until now, documents were grouped by application. For instance, PDF files and all the other document types supported by XReader were grouped together under “Document Viewer”.
The library now organizes documents by type instead. It no longer matters which applications are installed or which formats they support.
The sidebar comes with predefined groups for common types of documents. You can choose which groups are visible and change their order.
You can also create your own groups and decide which types of files they contain.
For instance, you could create a group for a particular project, limited to a work directory and grouping multiple document types.
The library also lets you remove individual items from the list or clear the entire list of recently opened documents at once.
Xepub
Xepub is a new EPUB reader.
It provides a reading experience similar to what you would find on a Kindle or a Kobo.
In the desktop it will appear as your “Book Reader”.
You can navigate between chapters, search the contents of the book, add bookmarks and quickly navigate between them.
When you reopen a book, Xepub remembers where you were, so you can simply continue reading.
If you select a word, a menu gives you quick access to search engines, so you can look it up in a dictionary, find it on Wikipedia or translate it.
The search engines are fully configurable in the preferences.
You can change their URLs or add anything you might find useful.
If you select a passage, it gets highlighted as an annotation. You can give it the color of your choice and add a note.
And of course, you can adjust the zoom level, choose your preferred fonts and customize the reading experience to your liking.
Clockenstein
It’s alive!
Say hello to your “Calendar”.
Clockenstein is a brand new calendar application and the latest addition to the XApp family.
It supports multiple calendars and works with local calendars, Google Calendar and CalDAV services such as Nextcloud.
You can create and edit events and choose which calendar they belong to.
Down in the laboratory, there’s a little more going on.
When we worked on Clockenstein, one of the things we really wanted was to always know what was going on with remote calendars. Are they connected? Are they synchronized? And if something goes wrong, why?
Clockenstein keeps track of the state of each remote calendar and reports connection and synchronization issues in the application. If a calendar can’t be reached, you can still see its events, but it becomes read-only until the connection is restored.
Clockenstein has its own daemon and its own notification agent. So it doesn’t matter whether the Calendar application is open or not.
The daemon keeps remote calendars synchronized and keeps an eye on upcoming events for calendars that have reminders enabled.
When a reminder is due, the notification agent presents it on the desktop. You can dismiss it or snooze it to be reminded again later.
Finally, Clockenstein provides interfaces for desktop environments to interact with it, and even to replace its notification agent. The Cinnamon clock applet is fully compatible with these interfaces, so just like in the past, you’ll see your calendar events directly from the panel.
Sponsorships:
Linux Mint is proudly sponsored by:
Gold Sponsors: Silver Sponsors:
Bronze Sponsors:
Donations in July:
A total of $15,693 were raised thanks to the generous contributions of 438 donors:
$1000 (3rd donation), Marci S. $696 (3rd donation), Michael S. $278 (8th donation), $250 (4th donation), Chris K. $232, Lutz D. $200 (2nd donation), Gary B. $200, John L. $174 (26th donation), Naoise G. aka “Gaff” $155, finn G. 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C. $23, Reinhard H. $23, Rüdiger K. $23, Thomas L. $23, Torbjorn T. $23, Torsten A. $23, Ulrich T. $23, Ursula H. $22 (2nd donation), Marko H. $21 (120th donation), Johann J. $20 (13th donation), Randall W. $20 (11th donation), Orlando O. $20 (9th donation), Jerry G. $20 (7th donation), Edward F. $20 (7th donation), Oleksandr N. $20 (6th donation), Juan V. $20 (4th donation), Perry B. $20 (4th donation), Theodore K. $20 (3rd donation), Edward P. $20 (3rd donation), Jeffrey J. $20 (3rd donation), Michael S. $20 (2nd donation), David M. $20 (2nd donation), Dylan H. aka “D-Guy“ $20 (2nd donation), Justin M. H. $20 (2nd donation), Kellee C. $20 (2nd donation), Vincent A. B. $20, Armen V. $20, Bill M. $20, Bruce S. $20, Carl A. D. F. $20, Carlos C. $20, Chris D. $20, Christopher M. $20, Clemens K. $20, Conner M. $20, Devin G. $20, Duane L. $20, Geoffrey C. $20, George W. $20, hatem A. N. Y. $20, Ivan G. $20, John M. $20, John P. $20, Joseph T. $20, Mark B. $20, Mark J. $20, Patrick K. $20, Peter L. $20, Philip S. $20, Ralph F. $20, Rick L. $20, Steven H. $20, Steven T. $20, Thomas S. $20, Tomá %. $20, William A. C. I. $20, William M. $17 (94th donation), Andreas S. $17, Jevgenijs D. $17, raoul A. $17, Vojtch D. $17, Yosef F. $16 (2nd donation), Jan H. $15 (3rd donation), Harris B. $15, Brian S. $15, Dushyant S. $15, Indrapramit B. $15, Pierce A. C. $14 (3rd donation), Aleksandre A. $12 (59th donation), Daniel S. $12 (51st donation), Tugaleres.com $12 (32nd donation), Adian K. $12 (21st donation), Marc V. 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R. $12, evangelos K. $12, Fabian R. $12, Frank Z. $12, Giuseppe A. $12, Günter K. $12, Helen W. $12, Henri H. $12, Hernando C. $12, Jakub C. $12, JEROME G. $12, Johann H. $12, Jordan L. $12, Lars-Erik E. $12, Marc S. $12, Markus H. $12, Michal L. $12, Paweł M. $12, Philipp W. $12, Roland B. $12, Stephan R. $12, Tamas P. $12, Tim B. $12, Tomislav B. $12, Uwe D. $12, Wolfgang R. $12, Wouter V. N. $12, www.barcelonataxitour.com $12, Yvan R. $10 (124th donation), Thomas C. $10 (66th donation), Philip Woodward $10 (31st donation), Wilson G. $10 (15th donation), Mariusz B. $10 (9th donation), Lars K. aka “laku3008” $10 (8th donation), Michael G. $10 (8th donation), Urszula S. $10 (7th donation), Selwyn A. $10 (4th donation), kamil P. $10 (4th donation), Ulf W. $10 (2nd donation), ANDREW EDMUND JOHN $10 (2nd donation), David S. $10 (2nd donation), Giovani D. 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Well, that’s a photo from last night’s community dinner, but now the second day talks are beginning!
As with yesterday, we will be live-streaming most sessions on the schedule (in track rooms 1 and 2) and making recordings of all. Find out more by following our communication channels, where we’ll post the streaming links as we go live:
Announcements channel (Telegram)
Chat group (Telegram)
Chat group (IRC, bridged to Telegram)
Here’s LibreOffice’s Engineering Steering Committee having their s
Well, that’s a photo from last night’s community dinner, but now the second day talks are beginning!
As with yesterday, we will be live-streaming most sessions on the schedule (in track rooms 1 and 2) and making recordings of all. Find out more by following our communication channels, where we’ll post the streaming links as we go live:
We’re happy to announce the release of GIMP 3.2.6!
This stable release contains several months worth of patches, bug fixes, security updates, and
more from new and longtime contributors.
Special thanks to Bruno Lopes, who has taken charge of backporting fixes from our
development branch to the 3.2 stable branch.
General Highlights and UX Improvements
New Rotation Stylus Dynamics Input
OS and Platform Specific Improvements
New macOS Package
Security updates
For Plug-in/Script Authors and Buil
We’re happy to announce the release of GIMP 3.2.6!
This stable release contains several months worth of patches, bug fixes, security updates, and
more from new and longtime contributors.
Special thanks to Bruno Lopes, who has taken charge of backporting fixes from our
development branch to the 3.2 stable branch.
A number of the fixes we first mentioned in our
last development update
were backported to GIMP 3.2.6.
Cheesequake has added code so you can use Cut on a layer group. This will allow you to cut the same section of all layers
in the group, provided they are rasterized and not locked. Jehan made further improvements to this code.
The Sample Merged option for the Color Picker tool should now include any filters applied to a single layer when selecting
colors. This was originally ignored due to an older optimization used for single layer images.
Balooii made many improvements to boost performance when loading a large number of fonts. While some lag remains and
will likely require us to update to GTK4, the initial GIMP start-up, typing in the text tool, and closing font lists should
be much faster!
Ondřej Míchal and Jehan have begun making changes to GIMP’s codebase to support an eventual GTK4 port. This includes
swapping out the deprecated gtk_widget_show () functions with gtk_widget_set_visible (), replacing direct access to
GdkEvent types with getter functions, replacing GDK_WA_CURSOR flags for explicit gdk_window_set_cursor () calls,
and more. Even though we are not yet planning a GTK4 port, it doesn’t hurt to start preparing for it!
New contributor Ryan McDonald and Idriss Fekir have fixed an issue where the end of a line might be hidden on the
left/right side when the text layout is set to “fixed”. When loading older XCFs, the problem will still be visible, but
any changes to the text layer will update it to the correct view.
Kaushik B. has fixed an issue with the Heal Tool where you might get
dark smudges if you move outside the bounds of a layer that’s smaller than the image canvas.
New contributor Manu Cornet and Jehan fixed a crash that could happen in certain circumstances when pressing keys too
quickly after releasing the spacebar when panning.
Brandon Henderson reduced the sensitivity of the pan gestures when using the touchpad on macOS. This should make
it easier to make fine-grain adjustments while editing an image on that platform!
Richard Gitschlag has adjusted the Text Tool so that you can still select the text to edit even if it has a layer mask that
partially covers it.
Jacob Boerema resolved a bug in our metadata code that prevented GIMP from loading the Licensor metadata for an image.
Alx Sa added a maximum width of tooltips, preventing options with long descriptions from filling the entire screen.
Rodrigo Lledó Milanca updated our information on the ART Camera RAW plug-ins.
Several bugs related to rasterized vector layers have been resolved. Thanks to BobsDaughter, teapot, and
Richard Gitschlag for their testing and feedback!
Jehan recently implemented a new dynamic input for painting - Rotation (also known as Barrel Rotation).
This feature is prominently used in the original Wacom Art Pen and newer Wacom Art Pen 2 pens, and allows
GIMP to react to how you have rotated the brush in your hand as you draw.
You can adjust this value for custom brushes in the Dynamics editor.
The MyPaint Brush tool is integrated with this feature as well, so it will automatically pass the rotation on as you paint
if your stylus supports it.
GIMP uses GTK3, a cross-platform library for GUIs, to display its windows,
widgets, and more. While it does a very good job of this, GIMP requires a lot of very complex interactions,
and sometimes this can expose bugs that are only visible on certain platforms.
Bruno Lopes has been hard at work making a staggering number of platform-specific
improvements to make GIMP work better. These include (but are not limited to):
Using “Server-side Decorations” for dialogs on KDE instead of GNOME-style “Client-side Decorations”.
(In other words, the buttons appear at the bottom of the dialog instead of the header bar).
Secondary “pop-up” windows such as the resource selection and metadata editor dialogs should now appear
in front of the first dialogue on Windows and macOS.
The System theme now uses your system’s defined accent colors on Windows and macOS.
Many improvements to proper focus setting on Windows and macOS.
Improvements to multi-window mode operations on Windows and macOS.
More system theme leaks caught on KDE Breeze system themes. This should help with graphical glitches
in the UI.
We now depend on winflexbison on Windows for building the
Image Map plugin. This fixes an issue where Windows
users couldn’t reopen their image maps, even when created with GIMP.
Send to Email now works on MS Windows too using MAPI
(works with Thunderbird and Outlook Classic).
Windows users can now use “Open With” on multiple files on start, without creating multiple
instances of GIMP. This is consistent with how Linux and other platforms operate.
Because these improvements are wide-ranging, it is possible that we missed some interactions
during testing that could cause a regression. If you notice any problems in GIMP 3.2.6, please
let us know!
Starting with GIMP 3.2.6, the .dmg package is now created at the same time as the
Linux and Windows packages. This has not been possible for many years!
We used to create binaries for macOS on a separate GitLab repository, which was mirrored to another
repository on GitHub, which was connected to a proprietary CI service (CircleCI) which then
was connected to a MacStadium runner. All of that with dozens and dozens of additional patches, scripts etc!
As you can see, this was extremely complicated, but it was the only way to ship macOS binaries back then.
Thanks to your donations, we were able to sponsor a MacBook Pro M5
for Bruno Lopes, who has been working since December 19, 2025 to fix that situation. As a result, GIMP
can now be easily built on macOS with both MacPorts and Homebrew packages.
The macOS version of GIMP is now much more integrated with system-specific features, similar to the
Linux and Windows version. A few examples:
Titlebars on macOS now follow the dark/light mode settings of the current theme.
Scrollbars now follow the macOS preference for whether they should be always visible or not.
The more standard ~/Library/Caches/ location is used for storing caches of GIMP resources,
fixing a bug of brushes directory not being created on macOS.
GIMP’s number input buttons now respond to Cmd on macOS, like they do to Ctrl
on other platforms. Some standard Mac shortcuts like, Ctrl + F2,
Cmd + Shift + //Cmd + Ctrl + Space
and Cmd + ` work as well.
Meta and Hyper modifiers now work.
Incorrect offsets when drag-n-dropping colors and layers/channels/paths have been fixed.
Filters now accept negative values regardless of your system language settings.
Plug-ins are treated as children of the main GIMP application, so they do not appear in the dock anymore.
GIMP custom cursors are now properly set for all tools
(previously, they were being overwritten by the macOS arrow).
“GIMP”, “Windows” and “Help” menus now match the standard macOS menus with proper localization.
Dialogs that shouldn’t be minimized (such as the search actions dialog shown with /) no
longer show a minimize button on macOS.
Remote files can be opened thanks to using the native macOS API, since GIO does not support HTTPS on this platform.
Dashboard Backtraces are now supported using libunwind from libSystem.
In the process of implementing all these improvements, the separate macOS “developer package” was
dropped. It was created due to the limitations of the previous macOS build infrastructure
and became unnecessary now that it is way easier to build GIMP on macOS.
Plug-in and script developers should use the new GIMPSDK instead, or build GIMP directly.
Again, this is a brand new package. So, if you notice any problems in GIMP 3.2.6, please
let us know!
GIMP has added support for importing many different file formats over the years. In recent years,
security detection tools have improved and found more and more potential exploits in open source
software. Jacob Boerema and Alx Sa have been busy testing and patching these.
For reference, the following Common Vulnerabilities and Exposures (CVE) have been patched in this release:
We want to thank Jace, Brent Hull, Tristan Madani,
Florent Saudel, bb1abu, Yukihiro Nakamura, Securin Disclose, and Zero Day Initiative
for their security reports and suggestions. We also want to thank Michael Catanzaro for his help in
organzing these reports and requesting CVEs for them.
Our GdkPixbuf dependency minimum version has been updated to 2.32.0 due to an issue with Glycin
printing a bunch of unnecessary messages on start-up related to a deprecated to-pixdata function.
PDB commands now only show error/warning messages when run in interactive mode. For non-interactive modes,
you won’t see anything printed in the console on PDB function failure. Instead, you can check the return values
of the function and provide any messages you want to users.
Jehan improved our method for checking if a plug-in has been updated since the last time you opened GIMP.
Now we check creation time (ctime) instead of just modified time (mtime) since it might be always 0 on certain
packages like flatpak. This should mean that changes you make during development are more likely to be loaded
if you’re testing on flatpak.
Kamil Burda fixed documentation for integer and double types in the
Procedure Browser.
Pranav P corrected a build issue that caused a freeze on s390x systems.
You can now build C plug-ins and GEGL filters
from all the official packages we distribute by using the gimptool commandline tool.
That is because we now ship all required headers and libraries for compiling (in total, less than 20MB).
Before now, this was possible only on flatpak and Snap. So, Bruno Lopes extended it to
the AppImage, Windows and macOS packages. We call this new feature the “GIMPSDK”.
Jacob Boerema, maintainer of the GIMP help manual repo, has released an updated version
that contains all the changes brought in GIMP 3.2. It is available online,
or you can download it if you want to keep a
local copy.
Balooii has been working to restored older news posts that have been lost to the ages. You can now
see almost all news posts from 2004 to 2008 on the main site now - just navigate back to that point in
time in the archive.
GIMP 3.2.6 also shares a release with new versions of GEGL and babl by maintainer Øyvind Kolås!
babl 0.1.128 includes several fixes for building on macOS, initial WebAssembly support, and better checks
at runtime for avx512 - all by Bruno Lopes.
GEGL 0.4.72 updates its OpenCL support to version 3.0.
Ondřej Míchal worked on important stability fixes for the OpenCL code (though such
code path is still disabled by default in GIMP). Jacob Boerema made several fixes to the RGBE file
format import and export functions. Aruius made the GeglColor comparison functions public, for future use
in better comparing comparing colors in GIMP and other software. Tal Regev added support for building GEGL
using only MSVC, and Bruno Lopes added support for WebAssembly as well. Luigino Camastra added more
security checks to prevent potential overflows.
More details can be found in the
GEGLNEWS document!
58 people contributed changes or fixes to GIMP 3.2.6 codebase (order
is determined by number of commits; some people are in several groups):
22 developers to core code: Bruno Lopes, Alx Sa, Jehan, Ondřej Míchal, balooii balooii, Richard Gitschlag, Michael Natterer, programmer-ceds, Ahmed E. Yassin, Andreas Vukman, Estecka, Idriss Fekir, Jacob Boerema, Manu Cornet, Petr Vorel, Ryan McDonald, balooii, cheesequake, kaushik_B, screem02, v4vansh, woot000.
14 developers to plug-ins or modules: Alx Sa, Bruno Lopes, Ondřej Míchal, Jacob Boerema, Jehan, Dimitriy Ryazantcev, lloyd konneker, balooii balooii, Frank Teklote, Harsh Verma, Michal Vašut, Mike Gorse, Richard Allen, Rodhos.
23 translators: Dick Groskamp, luming zh, Martin, Yuri Chornoivan, Ekaterine Papava, Rodrigo Lledó, Aefgh Threenine, Anders Jonsson, Kolbjørn Stuestøl, Baurzhan Muftakhidinov, Emin Tufan Çetin, Aurimas Aurimas Černius, Jose Riha, Марко Костић, Rafael Coelho Costa, Trần Ngọc Quân, Vasil Pupkin, Balázs Úr, Carsten Drewes, Juliano de Souza Camargo, Kjartan Maraas, Sabri Ünal, Yaron Shahrabani.
3 theme designers: Bruno Lopes, Alx Sa, Ondřej Míchal.
9 build, packaging or CI contributors: Bruno Lopes, Jehan, Jacob Boerema, Petr Vorel, Harsh Verma, Lukas Oberhuber, Ondřej Míchal, balooii balooii, lloyd konneker.
3 contributors on other types of resources: Jehan, Bruno Lopes, Aryeom.
The gimp-data submodule had 16 commits by 7 contributors: Bruno Lopes, Jehan, Alx Sa, Anders Jonsson, Denis Rangelov, Lukas Oberhuber, balooii balooii.
4 image creators: Bruno Lopes, Jehan, Anders Jonsson, Lukas Oberhuber.
1 icon designers: Denis Rangelov.
1 cursor designers: balooii balooii.
Contributions on other repositories in the GIMPverse (order is determined by
number of commits):
Our UX tracker had 3 reports closed as FIXED.
babl 0.1.128 is made of 70 commits by 3 contributors: Bruno Lopes, Øyvind Kolås, Jehan.
GEGL 0.4.72 is made of 234 commits by 28 contributors: Bruno Lopes, Ondřej Míchal, Øyvind Kolås, luming zh, Jacob Boerema, Jehan, Kolbjørn Stuestøl, Tal Regev, WarisMaqbool, Aefgh Threenine, Anders Jonsson, Martin, Yuri Chornoivan, Baurzhan Muftakhidinov, Dick Groskamp, Ekaterine Papava, Sabri Ünal, aruius, Alan Mortensen, Asier Saratsua Garmendia, Chao-Hsiung Liao, DiGro, Marco Ciampa, Rodrigo Lledó, Saikeo Kavhanxay, Thomas Manni, YOSHIDA Shigeto, Марко Костић.
ctx had 150 commits since 3.2.4 release by 3 contributors: Øyvind Kolås, Bruno Lopes, Tal Regev.
The gimp-test-images (unit testing repository) repository had 5 commits by 1 contributors: Jacob Boerema.
The flatpak release had 35 commits by 3 contributors: Bruno Lopes, Erick555, Jehan.
Our main website (what you are reading right now) had 182 commits by 7 contributors: Bruno Lopes, Jehan, Alx Sa, balooii balooii, balooii, Liam Quin, Allan Day.
Our developer website had 110 commits by 5 contributors: Bruno Lopes, Jehan, Alx Sa, aruius, Ondřej Míchal.
Our 3.0 documentation had 276 commits by 20 contributors: Jacob Boerema, Dick Groskamp, DiGro, Kolbjørn Stuestøl, Marco Ciampa, Anders Jonsson, Yuri Chornoivan, Марко Костић, Richard Gitschlag, Alx Sa, Baurzhan Muftakhidinov, Christian Kirbach, Mateusz Jastrząb, YOSHIDA Shigeto, Andre Klapper, Balázs Úr, Chas Belov, Kristjan ESPERANTO, Rodrigo Lledó, Víttor Paulo Vieira da Costa.
Let’s not forget to thank all the people who help us triaging in Gitlab, report
bugs and discuss possible improvements with us.
Our community is deeply thankful as well to the internet warriors who manage our
various discussion channels or social
network accounts such as Ville Pätsi, Liam Quin, Michael Schumacher and Sevenix!
*Note: considering the number of parts in GIMP and around, and how we
get statistics through git scripting, errors may slip inside these
stats. Feel free to tell us if we missed or m
Work these days has mainly and already shifted to the development series
which will eventually lead to GIMP 3.4 versions. For anyone who missed
it, the Development Update, August
2026
news is interesting on this aspect. In the meantime, we will obviously
still continue backporting bug fixes on the 3.2 series, of which GIMP
3.2.6 is a part of.
This new version should widely improve stability, and in particular it
looks like macOS users should particularly appreciate it (thank Bruno
for that)! We are also extremely thankful to the new skilled
contributors the project has been getting. Don’t forget that, as long as
you don’t use genAI in your toolset, everyone is very welcome to
participate! 🤗
Don’t forget you can donate and personally fund GIMP developers, as a way to
give back and accelerate the development of GIMP. Community commitment helps the project to grow stronger!
Yes, the LibreOffice Conference 2026 has started in Pordenone, northern Italy. If you’re attending in-person, we look forward to seeing you!
If you want to attend remotely, we will be live-streaming most sessions on the schedule (in track rooms 1 and 2) and making recordings of all. Find out more by following our communication channels, where we’ll post the streaming links as we go live:
Announcements channel (Telegram)
Chat group (Telegram)
Chat group (IRC, bridged to Telegram)
Enjoy the con
Yes, the LibreOffice Conference 2026 has started in Pordenone, northern Italy. If you’re attending in-person, we look forward to seeing you!
If you want to attend remotely, we will be live-streaming most sessions on the schedule (in track rooms 1 and 2) and making recordings of all. Find out more by following our communication channels, where we’ll post the streaming links as we go live:
Milestone
This is a security-oriented major release with several important security patches, so users are encouraged to update without delay.
From this release, we are also making it clear that our rolling-release channel (edge) is recommended for faster security patches.
Breaking change 💥:
Disallow access to local networks such as 127.0.0.1 by default, for security reasons
Feature highlights✨:
Filter global view feed list by state and search
New option to hide badges showing number of unre
The Document Foundation is the non-profit organisation that coordinates the LibreOffice community. Anyone who contributes to the project can apply to become a member of the foundation, and join the over 200 existing members. We’ve also partnered with TUXEDO, a laptop vendor based in Germany that offers Linux-powered machines, to offer TDF members a 3% discount. The laptops include LibreOffice, of course, and have the option of a special LibreOffice key.
Annika Litzel from TUXEDO says:
We’re ver
The Document Foundation is the non-profit organisation that coordinates the LibreOffice community. Anyone who contributes to the project can apply to become a member of the foundation, and join the over 200 existing members. We’ve also partnered with TUXEDO, a laptop vendor based in Germany that offers Linux-powered machines, to offer TDF members a 3% discount. The laptops include LibreOffice, of course, and have the option of a special LibreOffice key.
Annika Litzel from TUXEDO says:
We’re very excited to continue our collaboration with The Document Foundation and LibreOffice! As a manufacturer that has always been committed to Linux and Open Source, supporting projects and communities that help build a free and independent digital ecosystem is especially important to us. With this continued partnership, we want to provide a direct benefit to TDF members while strengthening our shared vision: powerful hardware, Linux, and free software should work seamlessly together – without unnecessary dependencies and with a strong focus on privacy and digital sovereignty. A big thank you to The Document Foundation for their continued trust and for this great collaboration!
Find out more about TUXEDO here, and apply to become a member of TDF on this page.
Tell us what you’re doing in the LibreOffice project, and other free and open source (FOSS) projects!
I’m a member of the Brazilian documentation team, officially since 2017. I spent most of that time working on translation and localisation, but lately I’ve been working more on web design, like the Bookshelf project and the online help update. I’d also worked on translation and localisation in other projects before, like the XOOPS CMS and the Fedora project, where I started as an ambassador bac
Tell us what you’re doing in the LibreOffice project, and other free and open source (FOSS) projects!
I’m a member of the Brazilian documentation team, officially since 2017. I spent most of that time working on translation and localisation, but lately I’ve been working more on web design, like the Bookshelf project and the online help update. I’d also worked on translation and localisation in other projects before, like the XOOPS CMS and the Fedora project, where I started as an ambassador back in 2008.
What are your professional activities and how do they relate to FOSS?
I’m a federal public servant in Brazil, and I’ve taken part in some initiatives to use free software in government, but I don’t make decisions at that level, so there’s little I can do to push the adoption of free software where I work. My personal use and choice of tools leans toward free software whenever there’s a choice, but there aren’t many choices.
What have you contributed recently in the LibreOffice project?
The online help update has been getting some attention, and I’ve been able to contribute to modernising it and using standards that are more accessible and responsive, along with a more modern look that has more appeal. We have a weekly meeting in the Brazilian community where we keep up with the team’s efforts, propose new ideas, and adopt workflows that help the project.
What is contributing like (what bits are easy or hard, with the tools and processes in the project)?
One thing that took me a while was getting past the initial barrier to contributing bug reports or submitting code via Git — every organisation has its own way of doing things, and some have more hurdles than others. Once you get past that initial barrier, things get a lot easier.
How do you interact with other members of the LibreOffice community (especially the Brazilian one)?
Our weekly meeting helps a lot with that — we talk regularly, and that goes a long way toward solving problems and bringing members closer together. We’ve had some in-person meetings at events like the conference held in Brasília in 2022 and some hackathons, and we plan to have more of these gatherings, which tend to be quite productive and enjoyable too.
What is your impression of LibreOffice as a product? Do you see it used in Brazil, in areas of the public and private sectors?
Personally, I’ve been using the suite since it was called StarOffice, when it was pretty much the only really useful office suite for Linux at the turn of the millennium. Then came OpenOffice, which in Brazil ended up being named BrOffice, and finally LibreOffice.
My honest opinion is that it’s the most complete office suite available on the market, and I’m glad it’s an open source tool, which is my preference for any software. These days I use office suites a lot less because of the tasks I usually do on the computer — it’s rarely necessary — but I still keep up-to-date, even through translating the help, which shows new features in LibreOffice to anyone who pays attention.
We’re gearing up for the LibreOffice Conference 2026 next week in Pordenone, northern Italy – but there are more events in the pipeline too.
At the Open Source Conference Luxembourg 2026, which takes place on October 7, there will be two talks from Florian Effenberger, Executive Director at The Document Foundation, around the topics of LibreOffice:
Why free software and digital sovereignty are made for one another
The Cyber Resilience Act and Open Source: where do we stand? LibreOffice’s confo
Berlin, 4 September 2026 – The Document Foundation today announced the release of LibreOffice 26.2.6, the sixth maintenance update to the LibreOffice 26.2 branch. Building on the major feature release published on February 4, 2026, this update delivers targeted bug fixes and stability improvements contributed by a global community of developers and QA engineers.
LibreOffice 26.2.6 is available for immediate download at libreoffice.org/download for Windows, macOS, and Linux.
List of fixes in RC1:
Berlin, 4 September 2026 – The Document Foundation today announced the release of LibreOffice 26.2.6, the sixth maintenance update to the LibreOffice 26.2 branch. Building on the major feature release published on February 4, 2026, this update delivers targeted bug fixes and stability improvements contributed by a global community of developers and QA engineers.
LibreOffice 26.2.6 is available for immediate download at libreoffice.org/download for Windows, macOS, and Linux.
LibreOffice users, free software advocates and community members can support The Document Foundation and the LibreOffice project with a donation at libreoffice.org/donate.
Q&A — LibreOffice 26.2.6
Q: What is LibreOffice 26.2.6?
LibreOffice 26.2.6 is the sixth maintenance update to the LibreOffice 26.2 branch, released by The Document Foundation on 4 September 2026. It delivers targeted bug fixes and stability improvements over the major feature release published on 4 February 2026.
A global community of volunteer and professional developers and QA engineers, coordinated by The Document Foundation, the Berlin-based non-profit behind LibreOffice.
Q: How much does LibreOffice 26.2.6 cost?
Nothing — LibreOffice is free and open source software. Users and advocates can support the project with a donation at https://www.libreoffice.org/donate.
One of the comments on the announcement of LibreOffice 26.8 was a simple question: “So, no AI is now a feature?”
LibreOffice does not reject artificial intelligence out of hand, but an office suite used by tens of millions of people – in schools, hospitals, public bodies, law firms and thousands of other organisations – will not add a feature to its default configuration until that feature can be delivered under the conditions defined by the project in accordance with its principles.
User-contro
One of the comments on the announcement of LibreOffice 26.8 was a simple question: “So, no AI is now a feature?”
LibreOffice does not reject artificial intelligence out of hand, but an office suite used by tens of millions of people – in schools, hospitals, public bodies, law firms and thousands of other organisations – will not add a feature to its default configuration until that feature can be delivered under the conditions defined by the project in accordance with its principles.
User-controlled execution. The user must be able to choose where inference takes place: on the local computer, on an infrastructure directly controlled by the user, or on a service chosen independently by the user. A default setting that silently redirects to a single provider is not a choice.
No content may leave the computer without authorisation. The content of documents is a user’s asset and, in many implementations, is also legally protected material: medical records, case files, tender documents and student data. Transmission must be the result of a user’s decision and not behaviour carried out in the background by the application.
No telemetry of any kind. LibreOffice does not collect usage data, and this must also apply to AI features.
No dependence on a single provider. An integration that only works with a single company’s API is a lock-in mechanism, regardless of how it is described in the release notes. Interfaces should be open and implementable by multiple backends.
No compromises on format. Generated content must be in ODF format, just like any other content, and must retain its structure, styles and semantics. An assistant that generates documents in a proprietary format perpetuates content lock-in.
Entirely optional. It must be installable, removable, and absent from the user interface for those who do not wish to use it, including administrators deploying the software across thousands of workstations who, due to company policy, do not authorise its use.
Where we stand today
In light of this list, there is no integration that meets all the requirements and that could be deployed, enabled by default, and supported throughout the entire lifecycle of a release. This is an assessment of the current state of the technology and the solutions based on it, and not a judgement on the value of the sector.
In the meantime, users who wish to use AI features can install one of the available extensions, which can be found either on the LibreOffice extensions website or distributed independently. Most connect to a locally running model via Ollama, LM Studio or another OpenAI-compatible endpoint, which means the document never leaves the computer.
These are third-party extensions at various stages of maturity, developed and maintained by their respective authors rather than by The Document Foundation. Users and administrators should assess them as they would any third-party component, checking whether a cloud endpoint is configured and what the provider does with the data it receives. The extension mechanism offers AI functionality to those who want it, without any consequences for all other users.
Why our motivations are different
The reason our position differs from that of the dominant suites has almost nothing to do with the technology.
For a company that sells subscriptions, an AI assistant justifies a price increase and strengthens the case for keeping all documents within its own infrastructure. The functionality and the business model reinforce each other, so integration is not only attractive but almost mandatory.
The Document Foundation is a not-for-profit organisation. There are no subscription tiers to protect, no upsells, no data to monetise. This does not make us wiser than others, but it means we can take the time needed to decide whether something is genuinely useful for our users, as we are not driven by quarterly results.
What lies ahead
The criteria we have listed do not amount to a definitive rejection. The AI sector is evolving rapidly; on-premises inference is becoming manageable on standard hardware; and open models are improving much faster than most of us had anticipated. Should an approach emerge that meets all the conditions, we will evaluate it very carefully.
Until then, there will be no AI of any kind in the default installation; extensions will be available for those who wish to integrate AI features, and we will closely monitor where the technology is actually heading.