Ekaterina Fomina – Russia 

When Ekaterina Fomina was working as a reporter in Moscow, her favorite kind of journalism was old-school shoeleather reporting: traveling to far-flung regions of Russia, knocking on doors, talking to rural families who lived most of their lives offline. “My main tools were my legs and arms,” she said. 

In the lead-up to Russia’s invasion of Ukraine, Fomina began to grasp that one day soon, she might have to leave the country. Media outlets across Russia were facing intense pressure. As each day passed, the government implemented new censorship and repression laws. “We knew that if the government labeled us an “undesirable organization”— a criminal label in Russia — we could be arrested,” she said. Every newsroom had some kind of contingency plan in place for leaving, but the plans were vague and abstract. Fomina and her colleagues made sure they had visas ready in their passports for Europe, in case they had to leave quickly. “But we were not ready for a real tragedy.”

Russia launched its full-scale invasion of Ukraine in February 2022, and Fomina went into overdrive, covering the war. 

“The polarization, the open war towards another country, made me realize that my position in society was completely different from those of many people around me. It was very difficult for me to accept that my fellow citizens could support such cruelty,” she said. “In the first weeks of the war, seeing this support made me realize that it would be very hard to live in this country.” 

Fomina — who was reporting for the independent outlet iStories — understood it would be impossible to cover the war from inside the country without facing prosecution. “The only option was to leave the country and continue covering the war openly.” 

It was not immediately obvious how long she would be away for. Her friends and colleagues reassured her that this wouldn’t last forever, but she wasn’t so sure. “Everything was unpredictable, and it was unclear how it would affect our destinies,” she said. She had no illusions that she would ever come back to Russia. 

“I don’t even remember the whole process of escape, because in the very first days of the war my colleagues and I were constantly working — covering events, talking to people on both sides, but especially people in Ukraine.” In the meantime, she packed up her life in one day.  She packed just one suitcase, giving a few things to her mother, and throwing the rest away. She took a handful of souvenirs from Russia — gifts from friends and family, a T-shirt with Cyrillic letters on it, talismans of the life she was leaving behind. 

In the middle of a cold March night in Moscow, she said goodbye to her mother and grandmother, not knowing when she would see them again. “The scale of my personal tragedy couldn’t be compared to the scale of the tragedy happening in Ukraine. Only years later can I evaluate how awful, how tragic, and how traumatic those events were for me. But at that moment, it was just a feeling of adrenaline,” she said. “At an intuitive level, I felt that this was the last peaceful moment of my life in Russia.” 

Living in exile in Europe, Fomina began to reorient her reporting techniques. She could no longer be a shoeleather reporter, using her legs and arms as tools and knocking on doors. She began investigating war crimes using open-source intelligence techniques. 

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Not long into her exile, she investigated Russian soldiers who had been there during the massacre in Bucha. She started by tracing evidence from a survivor’s phone. The phone and its calling credit had been confiscated by Russian soldiers, then used to call their families back home. When it ran out of credit, the soldiers left it behind. One survivor recovered it and gave it to Fomina. Using investigative techniques and leaked data, she identified the numbers on the call log as belonging largely to relatives — mothers and wives — of Russian soldiers. She was then able to verify precisely which soldiers had been deployed in the area. 

For her work on this investigation, Fomina was arrested in Russia in absentia in the summer of 2024. Then, on March 31, 2025, a Moscow court sentenced Fomina to 8.5 years in prison for disseminating “fake news” about Ukraine out of “political hatred.”

“On the one hand, you know that you did everything right,” Fomina said, describing her schooling, her education, her constant pursuit of the truth in journalism. “But on the other hand, you are facing such limitations and such punishment.”

“I suppress my trauma in order to continue doing this,” she said. “But I can’t stop doing my work because the war crimes are continuing.” 

It is now four years since Fomina fled Russia. Barring a dramatic regime change in the future, there’s no prospect she’ll ever return.

Luz Mely Reyes - Venezuela

Luz Mely Reyes left Venezuela in slow motion. In 2015, she was the editor-in-chief Efecto Cocuyo, a small newspaper in Caracas. “Our heart as journalists was not to be too close to power. Power can be very seductive. But when you are too close to power you can lose the heart of your duty. So we tried always to be close to the common people,” she said.  

In 2018, a Venezuelan politician and opposition member called Fernando Albán mysteriously fell from a tenth-floor window while being held in custody. Nicolás Maduro’s government said he jumped. Reyes wasn’t so sure. “I asked questions on my Twitter account — why was he on the 10th floor, how did he jump?” she recalled. After tweeting, she turned her phone off to focus on writing. Suddenly, her husband’s phone began to ring. It was a tip-off: police were discussing Reyes’ tweet online, and talking about detaining her. Reyes scrambled to leave the country, only coming back a few months later when the dust had settled. 

All too soon, she had to leave Venezuela again — this time because of her coverage of a journalist who had been arrested in the middle of a blackout.

And so her wandering years began. Whenever Reyes felt too much pressure from the authorities, she would leave Venezuela for extended periods, spending time in neighboring Brazil and Colombia, before slipping back into Venezuela when she felt it was safe. 

“I had to accept that I wouldn’t be able to live in Venezuela anymore,” she said. But she continued to shuttle back and forth. The authorities canceled her passport twice, threatened to imprison her, increasing the pressure all the time. Her team told her how it didn’t make sense to be in Venezuela — that she couldn’t do her work properly while she was constantly in hiding, on high alert. 

Finally, after five years of this, she booked a one-way ticket out of Venezuela. She now lives in Austin, Texas, and doesn’t know if she’ll ever go home. 

“I had been struggling for about five years to accept that the government was expelling me from the country. I finally accepted that I was in exile — because if you can’t return to your country without the risk of being persecuted, well, you’re an exile.”

Reyes hasn’t stopped working for the people of Venezuela. During the US military strike on Venezuela and the capture of Maduro, she mobilized her sources and contacts across the country. She and her team livestreamed updates for ten hours straight, confirming the facts, debunking disinformation as the extraordinary events of January 3 unfolded. 

She feels the pain of being away from home acutely. “They say there are seven stages of grief when you’re forced to migrate. One grief I always have is for the landscape, for the weather, for the beach, for the space I was in, for the sun,” she said. “It’s very physical. I feel like a tree that has been ripped out of the ground.” 

There is no job she would rather do, though. “If I had to do it all over again, I would choose to be a journalist.”

Zahra Joya - Afghanistan

Zahra Joya’s world changed forever over just a few days in August 2021. On August 14, she was working in Kabul as editor-in-chief of Rukhshana Media, an Afghan women’s journalism platform. The following day, Kabul fell to the Taliban. Joya joined the chaos of people fleeing the country out of Kabul airport. She arrived in a hotel room in London on August 26 — in less than a fortnight, everything she knew was gone.  “Everything vanished overnight,” Joya said. From her hotel, she couldn’t stop reporting. 

“I personally was safe, but when I looked back to all our achievements, to all the work that we had done, it gave me this chance to rethink my circumstances. I realized I could not stop my work. So we continued.”

Rukhshana Media’s burgeoning team scattered to the four winds following the collapse — some made it out of Afghanistan like her, others took shelter within the country, where it was no longer safe for them to keep working openly.

Founded in 2020, Rukhshana Media is a platform for female journalists — a space for stories by and about women in Afghanistan. It was named after an Afghan teenager who was stoned to death after being accused of adultery in 2015. 

Joya had to find a way to keep Rukhshana Media alive. She began, frantically, to build a completely new team, from thousands of miles away. 

“It was a terrible moment of my life. It was something I never, ever imagined I would go through,” she said. ““It was impossible for me to not think about Afghanistan just because I was outside.”

Joya scoured social media for new reporters. Then came the complex problem of how to hire them. How to look after journalists on the ground in Afghanistan under Taliban rule, keep them anonymous, and keep them safe, from thousands of miles away? She drew up a security plan and a code of conduct for her team. “I tell my colleagues, “please prioritize your safety. No information is worth your safety.”” She decided not to tell each reporter who their colleagues were, so that if they were captured by the Taliban, they would have no information to hand over under interrogation.

Bathed in the glow of her computer in her government-issued hotel room in London — where she stayed for a year — Joya worked and worked to publish as many stories as possible from on the ground in Afghanistan. 

“For the women of Afghanistan, one of the only ways to raise their voices is through media,” Joya said, describing how Afghan families often call her asking for help, asking if she can write about their situation. Families of female activists call Joya as soon as their relatives are imprisoned by the Taliban. 

“I feel guilty sometimes because people rely on me. They’re inside the country and they want to raise their voice,” she said. “My colleagues are taking their life in their hands to gather information.”

To evade capture, Rukhshana Media’s reporters often need to switch phone numbers without warning, meaning people can go dark at any time, and there are panicked moments where Joya doesn’t know what’s happened to them. 

In September 2025, the entire country went dark without warning. The Taliban had shut down the internet completely — stating it was being blocked "for the prevention of vices." All of Joya’s contacts, reporters and sources stopped responding. 

“Afghanistan was cut off from the world. It was terrible. It reminded us of the fall of Kabul all over again. We had no idea what was going on in the country,” she said. When the internet came back on, her work continued, the pace relentless — and it hasn’t stopped since.

Jesús Adonis Martínez Peña - Cuba

The idea for El Estornudo — a narrative journalism magazine covering Cuba — started on a balcony in Havana in 2015. A group of young people, many of them university students, gathered together and talked about their dream to tell the stories of Cuba on their own terms. 

“It was a time of bilateral tension between the United States and Cuba, and the situation in Cuba wasn't as serious in terms of the social, political, and economic crisis as it is now,” remembers the editor-in-chief of El Estornudo, Jesús Adonis Martinez Peña. Widespread internet had not yet arrived in Cuba, but more and more people were getting access every day, and new media outlets were springing up –– “basically in what had been, up until that point, a wasteland in terms of independent media.”

Together, the young journalists drafted a manifesto for their magazine, which they published on March 16, 2015, Journalist’s Day in Cuba. 

“In Cuba, the press is a neo-colonial republic. With flags, coats of arms, statutes, organizations, prizes, forums, infinite debates — but without independence,” they wrote. “If you want to know Cuba beyond the clash of slogans and the three or four topics recycled by the contemporary media world, you have to read this magazine.”

They decided to call their magazine ‘El Estornudo’ — The Sneeze. The name, they said, reflected their own reflexive need to “react against the prevailing climate, the urgent need to expel something.” 

More than a decade has passed since that balcony brainstorming session. “Ten years later, and here we are. And most of our founders are scattered around the world,” Peña, who is now based in Chicago, said. Peña himself believes he can still go back to Cuba if he stays low-profile, doesn’t work, and just sees his family. But a number of his colleagues can’t. “My colleague who edits the magazine with me, they wouldn’t even let him board the American Airlines flight.”

The situation for Cuban journalists is specific to the island. “In Cuba, no one is going to shoot us in the head for journalism,” the Estornudo staff wrote in their founder’s letter ten years ago. This still holds true today — and it’s important, Peña said, “to respectfully acknowledge the realities for our colleagues in the region, in Central America, in countries like Mexico, where there are journalists being killed. We have the imperative, the duty, to do journalism under our own specific conditions of totalitarianism.” Reporters in Cuba exist within an insidious culture of fear and control. “The press is constantly under siege by state security. They monitor our colleagues, restrict their movements within the island, put police patrols in front of their houses — it functions almost like a temporary house arrest,” Peñam said. “There have been arrests, interrogations; they put pressure on the families of journalists too, pushing them into exile too.”

Since the Trump administration’s kidnapping of Venezuelan President Nicolás Maduro and the subsequent blocking of Venezuelan oil to Cuba, the country has been plunged into fresh crisis. President Trump has called on Cuba to “make a deal before it’s too late” and threatened to implement Secretary of State Marco Rubio as the “next President of Cuba.” Looking on, Peña’s team has been on high alert. They’re preparing themselves for every outcome — from a spiralling social crisis resulting from the U.S.-imposed fuel blockade, to a direct American attack on Havana. “We are considering every scenario, and we are not ruling anything out. And whatever happens, we are ready to report.”

Drop in Illustrations by Teona Tsintsadze.